The Andy Warhol Foundation for the Visual Arts


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The Andy Warhol for the Visual Arts announces Spring 2020 grantees. $4 million awarded to 47 arts organizations from 23 different states. DECEMBER 31, 2019 Spring 2020 Grantees

The Andy Warhol Foundation for the Visual Arts is pleased to announce the recipients of its Spring 2020 grants. $4 million will be awarded to 47 organizations from 23 states to support their visual arts programs, exhibitions, and curatorial research. The biannual granting program continually draws an ambitious group of applicants; this round of grantees was selected from 250 submissions. The foundation’s overall annual grants budget is approximately $15.46 million.

The Spring 2020 grants occur at a time when arts organizations, from small, grass roots operations to large established institutions, are navigating the uncertainties around reopening timelines and protocols due to the COVID-19 pandemic. Furthermore, many organizations are finding ways to support and ally with the protests to end police violence towards black communities and to fight this country’s systemic racism. In recognition of both the financial hardships and the increased responsibilities the cultural sector is taking on, the Foundation is permitting up to 50% of every grant to be used for administrative expenses to help alleviate economic stresses.

“At this critical, epoch-defining moment, the contributions of artists to the cultural and political dialogue are more necessary than ever,” states Joel Wachs, the Foundation’s President, “We hope that the Foundation’s grants to organizations that provide artists with a platform for their objectives and protests will help to amplify their voices within their communities, in conversations across the country, and throughout the international contemporary art world.”

The Spring 2020 Grantees include 27 small to mid-sized organizations (many operating on modest budgets) whose support for artists comes in the form of exhibitions, residencies, commissions, publications, professional training, and virtual and in-person gatherings. Several first-time grantees receiving multi-year support such as Black Lunch Table (IL), Dimensions Variable (FL), and Tri-State Arts (TN) are artist-founded organizations whose work supports and highlights art from a diverse cultural landscape. Other grantee programs engage with and support local communities, including Public Media Institute (IL), and the Helen Day Art Center (VT); while Blank Forms (NY) and the Maryland Film Festival (MD) organize programs of works that are more experimental in nature.

A number of grants will go to organizations whose programs are deeply invested in the careers of local artists while also remaining attuned to the national art dialogue including Antenna (LA), Blue Star Contemporary (TX), Hyde Park Art Center (IL) and Space One Eleven (AL). Other grantees include BOMB (NY) the publication whose free online archive includes 40 years of conversations among artists as well as transcripts of its oral history project of under-recognized New York Based African American artists, and other special initiatives; California Lawyers for the Arts (NY) that advocates for arts programs in prisons across the US, and The Vera List Center for Art and Politics (NY) which encourages artists, scholars and policymakers to take creative and political risks as they work toward social justice.

“In the face of the interlocking crises we are facing as a nation and as a society, the foundation is doubling down on its commitment to artists as they grapple with our difficult past, present and future,” states the Foundation’s Program Director, Rachel Bers, “We have made significant efforts to provide emergency relief to individual artists in cities across the country; at the same time, we continue to offer robust support to the organizations that nurture these artists and encourage them to take risks at every stage of their careers. They are an essential outlet for artists’ responses, reactions, experiments and visions that analyze, build, critique, and dismantle the world as it roils. Without these organizations our cultural conversations would be severely impoverished.”

The core values of the Warhol Foundation drive its grant programs to actively seek and highlight the work of under-represented practitioners. Of the 15 museums that will receive Spring 2020 Grants for exhibition support, several will focus on the careers of influential and under-recognized artists including Colby College Museum of Art (ME), presenting an exhibition of works by Bob Thompson who examined the tradition of European painting’s exclusionary history by recasting classical compositions; and the Columbus Museum of Art (GA) with Alma W. Thomas: Everything is Beautiful, the first comprehensive exploration of Thomas’s artistic journey and influence as an educator and painter. El Museo del Barrio (NY) will present the first major retrospective in three decades of the museum’s founder and first director, Raphael Montañez Ortíz; and the Museum of Contemporary Art Chicago (IL) will debut the first solo museum show of longtime activist Andrea Bowers.

Other exhibitions will highlight diverse communities of artists such as first time grantee DePaul Art Museum (IL) which will launch a multi-year Latinx Initiative aimed at increasing the visibility of Latinx artists in its exhibitions and programs; and the Experimental Media and Performing Arts Center (EMPAC) at Rensselaer Polytechnic Institute (NY) presenting three special commissions of time-based work by Latinx, Caribbean, and Latin American visual artists.

Santa Fe’s Museum of Contemporary Native American Art (NM) will organize Exposure: Native Art and Political Ecology, which explores the responses of Indigenous artists to the impact of nuclear testing and uranium mining on Native peoples and the environment; and the Newark Museum of Art (NJ) will present the work of Saya Woolfalk who will draw on her own intersectional identity to examine and respond to different areas of the museum’s permanent collections.

Additionally, $142,000 will be awarded to three curatorial research fellows for projects investigating the impact of the Great Migration on contemporary art making; the divide between urban and rural community art practices in the Deep South; and the work and influence of Teddy Sandoval, a leading figure in the queer and Chicanx artistic circles of Los Angeles.

The full list of Spring 2020 Grantees is as follows:

Spring 2020 Grant Recipients | Program Support Over 2 Years:

Antenna / Press Street, New Orleans, LA - $100,000

Artspace, New Haven, CT - $100,000

Bas Fischer Invitational, Miami, FL - $80,000

Bemis Center for Contemporary Arts, Omaha, NE - $100,000

Black Lunch Table, Chicago, IL - $60,000

Blank Forms, Brooklyn, NY - $60,000

Blue Star Contemporary, San Antonio, TX - $100,000

BOMB/New Art Publications, Inc. Brooklyn, NY - $80,000

California Lawyers for the Arts, San Francisco, CA - $100,000

The Helen Day Art Center, Stowe, VT - $80,000

Dimensions Variable, Miami, FL - $60,000

FiveMyles, Brooklyn, NY - $40,000

516 ARTS, Albuquerque, NM - $100,000

Hyde Park Art Center, Chicago, IL - $100,000

The Luggage Store, San Francisco, CA - $100,000

Maryland Film Festival, Baltimore, MD - $80,000

Museum of Contemporary African Diasporan Art (MoCADA), Brooklyn, NY - $80,000

Project X Foundation for Art & Criticism, Los Angeles, CA - $80,000

Public Media Institute, Chicago, IL - $80,000

Redline Denver, Denver, CO - $100,000

Smack Mellon, Brooklyn, NY - $80,000

Space One Eleven, Birmingham, AL - $80,000

Threewalls, Chicago, IL - $100,000

Tri-Star Arts (Locate Arts), Nashville, TN - $100,000

The Vera List Center for Art and Politics at The New School, New York, NY - $100,000

Vox Populi, Philadelphia, PA - $60,000

Spring 2020 Grant Recipients | Exhibition Support:

Art Institute of Chicago, Chicago, IL.Stanley brouwn, $75,000

Colby College Museum of Art, Waterville, ME.Bob Thompson: This House is Mine, $100,000

The Columbus Museum, Columbus, GA.Alma W. Thomas: Everything is Beautiful, $100,000

The Contemporary Arts Center, Cincinnati, OH. Be Water, Liquidity as Method, $100,000

DePaul Art Museum, Chicago, IL. Two year exhibition support. $80,000

Experimental and Performing Arts Center/Rensselaer Polytechnic Institute, Troy, NY. Latinx, Caribbean and Latin American artists support. $50,000

Henry Art Gallery / University of Washington, Seattle, WA. Support for the Packaged Black exhibition and Donna Huanca exhibition, $100,000

The Jewish Museum, New York, NY. Jonas Mekas: The Moving Image, $60,000

Miller Institute for Contemporary Art / Carnegie Mellon University, Pittsburgh, PA. Two year exhibition support. $100,000

El Museo del Barrio, New York, NY. Raphael Montañez Oritz: Breaking the Limits, $75,000

Museum of Contemporary Art Chicago, Chicago, IL. Andrea Bowers, $100,000

Museum of Contemporary Native Arts, Santa Fe, NM. Exposure: Native Art and Political Ecology, $100,000

New Orleans Museum of Art, New Orleans, LA. Ebony G. Patterson: … when the land is in plumage…, $75,000

The Newark Museum of Art, Newark, NJ. Saya Woolfalk, $50,000

University Art Museum, State University of New York - Albany, Albany, NY. Two year exhibition support. $100,000

Whitney Museum of American Art, New York, NY. Puerto Rican Art in the Wake of Hurricane Maria (working title), $100,000

Spring 2020 Grant Recipients | Curatorial Research:

Art of the Rural, Winona, MN. Matthew Fluharty,$50,000

Baltimore Museum of Art, Baltimore, MD. Jessica Bell Brown and Ryan Dennis,$50,000

Williams College Museum of Art, Williamstown, MA. Ondine Chavoya and David Frantz,$42,000