Ayana V. Jackson is known for her costumed self-portraits, in which she appears as historical or mythical figures from Africa and the African diaspora. From the Deep: In the Wake of Drexciya with Ayana V. Jackson will be her first at a major museum exhibition and it will break new ground for the artist, who will use sound, video and augmented reality components in her work for the first time. Inspired by a concept invented by Drexciya, a 1990s Detroit techno band whose founders, James Stinson and Gerald Donald, imagined an underwater utopia populated by the descendants of pregnant African women who were thrown or jumped overboard during the Middle Passage on their journey into slavery. Jackson’s work will elaborate on this beautiful, tragic myth.
From the Deep: In the Wake of Drexciya with Ayana V. Jackson
“Our grantees range from small arts organizations with one staff member to major museums, yet they all provide essential resources for artists as well as innovative platforms for critical cultural dialogue. Creative risk-taking is at the heart of this country’s most meaningful social, political, and cultural developments, therefore we are proud to stand behind artist-centered organizations that support experimental practice.”
Joel Wachs, President