Grants – The Andy Warhol Foundation for the Visual Arts

Willie Birch, Two Faces of a Nation, 1968. Wood, paint, and found materials, 35 1/2 × 60 ¾ × 7 1/2 in. framed. Photo by Sesthasak Boonchai.

Exhibition Support

Willie Birch: Stories To Tell

American Federation of Arts

New York, NY

Lydia Ourahmane
House of Hope Archives, 1989–ongoing
Photographs and slide projectors

Exhibition Support

Speaking In Tongues

Institute of Contemporary Art, Los Angeles

Los Angeles, CA

Christian Jankowski, Crying for the March of Humanity, 2012. Video (1 x HD Cam, 1 x Blu-ray), 26 min., NTSC, 16:9,
color, sound, edition of 5, II.

Exhibition Support

Telenovela

Americas Society

New York, NY

Endometric. Featuring The Center for Aesthetic Research. A multimedia performance that included live sound,
image processing, video synthesis, dance and drawing. Performance view.

Multi-year Program Support

Charlotte Street Foundation

Kansas City, MO

Kelley Bell, Shadow Play. The Illumination Project. Street view.

Multi-year Program Support

The Peale

The Peale

Baltimore, MD

Installation view of Cinthia Marcelle, Anexo do Sala o Verde (Green Hall Annex), 2026. Photo: Zachary Riggleman

Exhibition Support

If the word we, the 59th Carnegie International

Carnegie Museum of Art

Pittsburgh, PA

Martin Puryear, Hibernian Testosterone, 2018. Painted cast aluminum, American cypress, 57 x 141 x 44 1/2 in. Photo by Ron Amstutz. ©

Exhibition Support

Martin Puryear: Nexus

Cleveland Museum of Art

Cleveland, OH

Tony Rodrigues, Homestead Extinction, 2026. Installation view.

Multi-year Program Support

Alabama Contemporary Art Center

Mobile, AL

Root Division Open Studios. Photo by Hunter Ridenour.

Multi-year Program Support

Root Division

San Francisco, CA

William J. O’Brien: A Ceremony of Faces. Photo by Diane Deaton Street.

Multi-year Program Support

KMCA Contemporary Art Museum

Louisville, KY

Curatorial Research Fellowships

Edward Shanken

Real Art Ways

Hartford, CT

Zizipho Poswa (born 1979, Mthatha, South Africa; active Cape Town, South Africa), uNa’kaMzingisi (Mzingisi’s Mother), 2024. Glazed earthenware, 134.6 × 50.8 × 58.4 cm. Princeton University Art Museum (2025-123). © Zizipho Poswa Image courtesy of Southern Guild.

Exhibition Support

Clay Has Memory: Creative Lineages from Africa

Princeton University Art Museum

Princeton, NJ