The Andy Warhol Foundation for the Visual Arts

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Exhibition Support

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  • 1987–2017
Installation photo by John Polak of the exhibition “Juanita Lanzo: Formas Feroces y Tiernas” at the Brattleboro Museum & Art Center
Exhibition Support

Brattleboro Museum & Art Center
Brattleboro, VT

Nadia Myre (Algonquin, Kitigan Zibi Anishinabeg First Nation, b. 1974). Light Assembly (Julie), 2023. Ceramic, nylon-coated stainless steel wire. 84 x 60 in. Photo by Darren Rigo.
Exhibition Support

The Montclair Art Museum: Nadia Myre
The Montclair Art Museum
Montclair, NJ

Stephanie Syjuco, Applicant Photos (Migrants) #3, 2013 – 2017. Archival Epson pigment print. © Stephanie Syjuco.
Exhibition Support

Invention Into Existence
Henry Art Gallery/University of Washington
Seattle, WA

Meghann Riepenhoff, Waters of the Americas: US Geological Survey #10287000024 (Mono Lake, CA, 2017) 2017. Unique dynamic cyanotypes. Courtesy of the artist.
Exhibition Support

Meghann Riepenhoff: Water of the Americas
San Diego Museum of Art
San Diego, CA

Kandis Williams, Vampire, 2024. Paper, collage, Color-Aid and adhesive on wood, 66 x 47 inches. Image courtesy of the artist, Heidi, London, and Galerie Hubert Winter, Vienna. Photo: Inna Svyatsky
Exhibition Support

Sheldon Museum of Art
Sheldon Museum of Art/University of Nebraska-Lincoln
Lincoln, NE

Sonia Boyce, Demonstrate, Installation view, 2026-2027, photo courtesy Queens Museum, credit Hai Zheng
Exhibition Support

Sonia Boyce: Demonstrate
Queens Museum
Queens, NY

Installation view, Leilah Babirye: Embaga ya Naki ne Naki (Wedding of Naki and Naki), 2026-2027. Photo by Mel Taing.
Exhibition Support

Leilah Babirye: Embaga ya Naki ne Naki (Wedding of Naki and Naki)
Institute of Contemporary Art/Boston
Boston, MA

Installation image from Replica of a Chip: The Weaving Technology of Marilou Schultz, June 27 – November 29, 2026. Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY. Photo: Alon Koppel, 2026.
Exhibition Support

Replica of a Chip: The Weaving Technology of Marilou Schultz
Center for Curatorial Studies, Hessel Museum of Art, Bard College
Annandale-on-Hudson, NY

Exhibition Support

Imperfect Absence: Conservation and Reclamation in Contemporary Art
Brandywine Conservancy & Museum of Art
Chadds Ford, PA

Dianna Frid, Writings on Rhythm, 2024. Wool, canvas, silk thread dyed with cochineal, aluminum foil, pochote fiber, paint mixed with green quarried stone, and colored pencil. 76 x 38 1/4 x 13 1/4 in.
Exhibition Support

University Galleries, Illinois State University
Normal, IL

Willie Birch, Two Faces of a Nation, 1968. Wood, paint, and found materials, 35 1/2 × 60 ¾ × 7 1/2 in. framed. Photo by Sesthasak Boonchai.
Exhibition Support

Willie Birch: Stories To Tell
American Federation of Arts
New York, NY

Mildred Howard, Crossings, 1997. Antique gilded frame, ceramic eggs, filtered ambient light. Installation view. Photo by Lewis Watts.
Exhibition Support

Mildred Howard: Poetics of Memory
Oakland Museum of California
Oakland, CA

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The Andy Warhol Foundation for the Visual Arts
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