The Andy Warhol Foundation for the Visual Arts

  • About
    • Mission
    • History
    • People
    • Contact
    • FAQ
  • News
    • All
    • Foundation
    • Grantees
  • Grants
    • Overview
    • Application Guidelines
      • Curatorial Research Fellowships
      • Exhibition Support
      • Multi-year Program Support
      • Project Grants for Small-Scale Organizations
      • FAQ
    • Grantees
    • Regional Regranting
    • Special Initiatives
  • Warhol
    • Biography
    • Catalogues Raisonnés
      • Paintings, Sculptures, and Drawings
        • Owner Questionnaire
      • Prints
      • Films
    • Licensing
      • Licensing Inquiries
    • Sales
      • Andy Warhol: Social Network
    • Andy Warhol Museum
    • Stanford Photo Archive
    • Photographic Legacy Project

Exhibition Support

  • By Type
  • By Year
  • All
  • Curatorial Research Fellowships
  • Exhibition Support
  • Multi-year Program Support
  • Project Grants for Small-scale Organizations
  • All
  • 2026
  • 2025
  • 2024
  • 2023
  • 2022
  • 2021
  • 2020
  • 2019
  • 2018
  • 1987–2017
Barbara Hammer, Sanctus, 1990. 16mm film transferred to HD video. Courtesy the artist’s estate and Electronic Arts Intermix (EAI).
Exhibition Support

Overexposed: Art, Technology, and the Body
Museum of the Moving Image
Astoria, NY

Ching Ho Cheng, Untitled (Palmetto Series), 1981. Gouache on rag paper, 37 1/4 x 50 in. ©Estate of Ching Ho Cheng.
Exhibition Support

Ching Ho Cheng: The Light Will Continue
Addison Gallery of American Art
Andover, MA

Exhibition Support

Counterpublic 2026: Coyote Time
Counterpublic
St. Louis, MO

Woo dy De Othello:
coming forth by day, 2025-2026. Installation view. Photo by Lazaro Llanes.
Exhibition Support

Woody Othello: coming forth by day
Perez Art Museum Miami
Miami, FL

Photographer unknown, Tom LLoyd working on Veleuro, c. 1968. Color photograph, 3 ½  x 5 1/6 in.
Exhibition Support

Tom Lloyd
The Studio Museum in Harlem
New York, NY

Rebecca Belmore, ishkode (fire), 2021. Clay, bullet casings, and copper wire, 66 ½ x 108 ¼ x 127 7/8 in. (168.9 x 275 x 324.8 cm). © Belmore, Rebecca.
Exhibition Support

Into the Time Horizon
Nevada Museum of Art
Reno, NV

Laura Gardin Fraser, Robert E. Lee and Stonewall Jackson, 1948 (left). Bronze 167 x 192 x 116 in. Hank Willis Thomas, A Suspension of Hostilities, 2019 (right). 1969 Dodge Charger, 178 x 76 5/8 x 55 in.⁠ Photo by Stefanie Keenan for Getty Images.⁠
Exhibition Support

MONUMENTS
Museum of Contemporary Art, Los Angeles
Los Angeles, CA

Uzo Egonu, Will Knowledge Safeguard Freedom 2, 1985.
© Estate of Uzo Egonu. Tiana and Vikram Chellaram.
Exhibition Support

Nigerian Modernism
Tate Americas Foundation
New York, NY

Installation view of Rave into the Future: Art in Motion October 24, 2025 – January 12, 2026. Photograph © Asian Art Museum of San Francisco, by Kevin Candland.
Exhibition Support

Rave Into the Future: Art in Motion
Asian Art Museum
San Francisco, CA

Andrea Carlson, Cannibal Ferox. 2008, Oil, acrylic, color pencil, and graphite on paper. Denver Art Museum: Native Arts acquisition funds and funds from the Ralph L. & Florence R. 
Burgess Trust
Exhibition Support

Andrea Carlson: A Constant Sky
Denver Art Museum
Denver, CO

Liz Collins, Grief Diminished, 2018. Linen, polyester, and silk. 57 x 60 ¾ in. ⁠
Exhibition Support

Liz Collins: Motherlode
RISD Museum
Providence, RI

Suzanne Jackson, El Paradiso, 1981–84. Acrylic wash and gesso on canvas, 55 × 62 in. 
© Suzanne Jackson.  Photo by Katherine Du Tiel
Exhibition Support

Suzanne Jackson: What is Love
San Francisco Museum of Modern Art
San Francisco, CA

↳ View More
The Andy Warhol Foundation for the Visual Arts
  • Facebook
  • Instagram
  • Twitter
  • Newsletter

Andy Warhol and Andy Warhol’s signature is a registered trademark of The Andy Warhol Foundation.
All Andy Warhol artwork © The Andy Warhol Foundation.
Website design by Wkshps

Use High-Contrast Text