Rodney McMillian: A Son of the Soil  broadly locates McMillian’s artistic investigations within the cultural and political landscape of the American South, highlighting his diverse engagements with topics of land, the body, and the domestic sphere. McMillian confronts American identity by addressing complex histories — of class and race, of landscape and region, of art and a nation. He adopts a sweeping view of landscape representation as both a physical space and an ideological position. In large-scale painted expanses and films set in the Deep South, McMillian evokes land’s tillage and spoilage, histories of ownership, and the charged relationship between land and the body.

Drawing on diverse cultural sources ranging from science fiction to political speeches, McMillian registers the complexity of a nation and its multifarious systems. He employs post-consumer objects, such as thrifted bedding and discarded furniture, in an extended meditation on class and domesticity. In the artist’s hands, these materials assume new life, registering experience in tears and stains that bear the weight of history. McMillian’s work resonates powerfully in a Southern context, provoking further inquiry into Black citizenship and the continuing presence of historical currents.