The Andy Warhol Foundation for the Visual Arts

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Grantees

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  • 1987–2017
Heather Hart, Oracle of Conduction (installation view), 2020. Courtesy of the artist. Photo: Brenda Bieger.
Exhibition Support

The University at Buffalo Art Galleries
Buffalo, NY

Ayana V. Jackson,It Is Only When You Lose Your Mother That She Becomes a Myth, 2020.
Archival pigment print on German etching paper,
74 x 63 inches. Courtesy of the artist.
Exhibition Support

From the Deep: In the Wake of Drexciya with Ayana V. Jackson
Smithsonian Institution, National Museum of African Art
Washington, D.C.

Diedrick Brackens, ark of bulrushes (installation view), 2021.
Exhibition Support

Scottsdale Museum of Contemporary Art
Scottsdale, AZ

Gary Simmons, Bryce Overlook, 2011. Pastel on paper: 12 panels, 24 x 24 inches each. ©Garry Simmons. Courtesy of the artist and Hauser & Wirth. Photo: Damian Griffiths.
Exhibition Support

Gary Simmons: Public Enemy
Pérez Art Museum Miami
Miami, FL

Rose B. Simpson, The Four (installation views), 2021. Ceramic, jute, grout. Dimensions variable. Installation created for the Nevada Museum of Art. Courtesy of the artist and Jessica Silverman.
Exhibition Support

Rose B. Simpson: The Four
Nevada Museum of Art
Reno, NV

Jose Val del Omar, Óptica Biónica , 1974 – 1982. Installation view.
Exhibition Support

Cinema of Sensations: The Never-Ending Screen of Val del Omar
Museum of the Moving Image
Astoria, NY

Keisha Scarville, Untitled from the series Surrogate Skin, 2016. Archival inkjet print, 36 x 30 inches. Courtesy of the artist.
Exhibition Support

A Picture Gallery of the Soul
Katherine E. Nash Gallery, University of Minnesota
Minneapolis, MN

Henry Taylor, “Watch your back”, 2013. Acrylic on canvas, 87 1/2 x 77
1/2 x 2 in. Hammer Museum, Los Angeles,
purchase. Image and work ©Henry Taylor, courtesy the artist and Hauser
& Wirth. Photo by Sam Kahn.
Exhibition Support

Henry Taylor: B Side
Museum of Contemporary Art, Los Angeles
Los Angeles, CA

Courtesy The Metropolitan Museum of Art/ Photo by Anna-Marie Kellen. ©Charles Ray
Exhibition Support

Charles Ray: Figure Ground
The Metropolitan Museum of Art
New York, NY

Gilberto Esparza, Plantas autofotosinthéticas [Autophotosynthetic Plants], 2013–14 (detail). Polycarbonate, silicon, stainless steel, graphite, electronic circuits, local wastewater, natural pond water with microalgae and microorganisms, plants, shrimp, fish, sound, 157 × 157 in. Courtesy the artist. Photo: Axel Heise
Exhibition Support

Symbionts: Contemporary Artists and the Biosphere
List Visual Arts Center, MIT
Cambridge, MA

Dominique White and Alberta Whittle: Sargasso Sea, 2024. Installation view. Institute of Contemporary Art, University of Pennsylvania. Photo: Constance Mensh.
Exhibition Support

Dominique White and Alberta Whittle: Sargasso Sea
Institute of Contemporary Art, University of Pennsylvania
Philadelphia, PA

Nellie Mae Rowe, Untitled (Voting), 1970s. Color photograph, crayon, pencil, and colored pencil on cardboard, 20 x 30 1/8 inches. Promised gift of Lucinda W. Bunnen. © Estate of Nellie Mae Rowe/Artists Rights Society (ARS), New York. Photo by Mike Jensen.
Exhibition Support

Really Free! The Radical Art of Nellie Mae Rowe
High Museum of Art
Atlanta, GA

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The Andy Warhol Foundation for the Visual Arts
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