Carrie Mae Weems, an artist who has consistently and poignantly addressed the conditions of race in the United States, will create a multi-work installation and series of performances titled The Shape of Things. Weems’ unflinching gaze at what she describes as the “pageantry” and “circus-like” quality of contemporary American political life find form in a series of large-scale installations and a cyclorama (a panoramic image on the inside of a cylindrical platform) of six to eight projections of new and existing film footage where Weems addresses the turmoil of current events and the “long march forward.” Suggestive of a 19th-century carnival with dioramas based on spontaneous street memorials, peep shows, and a Pepper’s Ghost, The Shape of Things is an incisive, powerfully emotional, and critical reflection on events both deeply embedded in American culture and history and the explosive events of the past year.
The Shape of Things
1964
Philip Johnson commissioned Warhol to make a large-scale work for the exterior for his pavilion for the New York World’s Fair, along with other artists. Warhol’s provocative response, a multiple portrait of ‘Most Wanted Men’ was installed a few days before the opening but was deemed too inflammatory and contrary to the upbeat image of the World’s Fair and the work was taken down.