Principle of Equivalence is the first major retrospective exhibition presenting a selection of seventy-three paintings and handmade paper works over nearly seventy years by New York-based artist Virginia Jaramillo (Mexican American, born 1939). Tracing the impact of the Jaramillo’s practice, which collide postwar abstraction with physics, science and the cosmos, archaeology and mythology, and modernist design philosophies, this exhibition sheds light on her career and situates it within the larger narrative of American abstract art. For decades, Jaramillo’s work has been celebrated internationally in groundbreaking exhibitions including The De Luxe Show, in 1971, one of the first major racially integrated exhibitions in the United States. Jaramillo also has an exhibition history in Kansas City that stretches back to the late 1970s.
Virginia Jaramillo: Principle of Equivalence
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“The terrific range of project proposals we receive each year speaks to the mobile and porous disciplinary boundaries of contemporary art practice, and to the rich and inventive ways writers approach art today. They are alert to the urgent need to expand the conventions of art history and criticism with ideas from other discourses, such as black studies, transnational and diaspora studies, gender and women’s studies, and LGBT studies. The work of lesser known and overlooked artists and art communities continues to be mined, with writers articulating new ways to counter the striking imbalances of race, class and gender that continue to affect the arts and the culture industry.”