Installation view, IN A DREAM YOU
SAW A WAY TO SURVIVE AND YOU
WERE FULL OF JOY, The Contemporary
Austin – Jones Center on Congress Avenue,
Austin, Texas, 2022. Text from Survival ©
2022. Jenny Holzer, member Artists Rights
Society (ARS), NY. Image courtesy The
Contemporary Austin. Photograph by Alex
Boeschenstein.
Danielle Brathwaite-Shirley, Get Home
Safe, 2022. UPBGE interactive video game.
Dimensions variable. Installation view, IN
A DREAM YOU SAW A WAY TO
SURVIVE AND YOU WERE FULL OF
JOY, The Contemporary Austin – Jones
Center on Congress Avenue, Austin, Texas,
2022. Artwork © Danielle Brathwaite Shirley. Courtesy the artist and David
Kordansky Gallery, Los Angeles / New
York. Image courtesy The Contemporary
Austin. Photograph by Alex Boeschenstein.
Jenny Holzer, IN A DREAM…, 2022.
Acrylic latex paint on stucco. Text:
Survival, 1983–1985. © 2022 Jenny Holzer,
ARS. Image courtesy The Contemporary
Austin. Photograph by Alex Boeschenstein.
Aryel René Jackson
in collaboration with Michael J. Love, The
future is a constant
wake (still), 2019. Single-channel video, color, and sound.
Artwork © Aryel
René Jackson. Image
courtesy the artist.
Installation view,
Eamon Ore-Giron:
Competing with Lightning /
Rivalizando con el relámpago, The
Contemporary Austin– Jones Center
on Congress Avenue, Austin, Texas,
2023. Artwork © Eamon Ore-Giron.
Courtesy the artist and James Cohan,
New York. Image courtesy The
Contemporary Austin. Photograph by Alex Boeschenstein.
Installation view, Eamon Ore-Giron: Competing with Lightning /
Rivalizando con el relámpago, The
Contemporary Austin –
Jones Center on Congress Avenue, Austin, Texas,
2023. Artwork © Eamon Ore-Giron. Image courtesy The Contemporary Austin. Photograph by Alex
Boeschenstein.
Celeste, Hacer olas, 2023. Pigments and
acrylic base on dyed cotton canvas. 108 x 10 x 492 inches. Installation view,
HOST: Celeste, The
Contemporary Austin
– Jones Center on Congress Avenue, Austin, Texas, 2023.
Artwork © Celeste.
Courtesy the artists.
Image courtesy The Contemporary Austin.
Photograph by Alex Boeschenstein.
Lubaina Himid, Blue Grid Test, 2020. Acrylic on various supports,
six-channel sound installation. Dimensions variable. Installation
view, Risquons-Tout, WEILS, Brussels, 2020.
Artwork © Lubaina
Himid & Magda Stawarska-Beaven.
Image courtesy the artists; WIELS, Brussels;
and Hollybush Gardens,
London. Photograph by
Philippe De Gobert.