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Shahzia Sikander: Collective Behavior

Institution
Cincinnati Art Museum
Grant Cycle
Spring 2022
Amount
$100,000
Type of Grant
Exhibition Support
Website
cincinnatiartmuseum.org ↗
Shahzia Sikander, Collective Behavior, installation view of exhibition title wall and (from left) Baggage Warrior and Liquid Light I, 2024. Photo by Phil Armstrong.
Shahzia Sikander, Collective Behavior, installation view of (from left) Housed, 1995, Arose, 2020, A Slight and Pleasing Dislocation, 1993, and A Slight and Pleasing Dislocation II, 2000-2001. Photo by Phil Armstrong.
Shahzia Sikander, Collective Behavior, installation view of Promiscuous Intimacies, 2020 (left) and Shroud, 2020. Photo by Phil Armstrong.
Shahzia Sikander, A Slight and Pleasing Dislocation, 1993. Gouache and gesso on board, Cincinnati Art Museum, Alice Bimel Endowment for Asian Art, 2019.195, © Shahzia Sikander.
Shahzia Sikander, Shroud, 2020, watercolor, ink and gouache on paper; Nicoletta Fiorucci Collection, © Shahzia Sikander.

Collective Behavior is a career-spanning exhibition of the internationally renowned, New York-based artist, Shahzia Sikander. Throughout her practice, she considers diasporic experiences, histories of colonialism, and Western relations with the global south and the wider Islamic world, often through the lens of gender and body politics.

Rather than proceeding chronologically, Collective Behavior follows Sikander’s primary ideas and inquiries throughout her work, rooted as they are in a recurring lexicon of forms, figures, and ideas. The exhibition explores Sikander’s role as an American artist, a Pakistani artist, a Muslim artist, a feminist artist, and—perhaps most significantly—as a global citizen engaging with a disrupted historical narrative.

See Also

Grantees

Announcing 2023 Interlace Project Grant Recipients

5 December 2022

Foundation

The Andy Warhol Foundation for the Visual Arts Announces Spring 2022 Grantees

29 June 2022

“The terrific range of project proposals we receive each year speaks to the mobile and porous disciplinary boundaries of contemporary art practice, and to the rich and inventive ways writers approach art today. They are alert to the urgent need to expand the conventions of art history and criticism with ideas from other discourses, such as black studies, transnational and diaspora studies, gender and women’s studies, and LGBT studies. The work of lesser known and overlooked artists and art communities continues to be mined, with writers articulating new ways to counter the striking imbalances of race, class and gender that continue to affect the arts and the culture industry.”

Pradeep Dalal, Program Director,  The Andy Warhol Foundation Arts Writers Grant

The Andy Warhol Foundation for the Visual Arts
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