Since its inception in 1986, the Museum for Art in Wood has been widely recognized as a critical resource for the study of art, craft, and design in the material of wood. Located in Philadelphia, it is the only museum of its kind in the world, highlighting work by artists whose communities have been historically marginalized and by others whose practices have been considered too experimental by traditional craft art institutions. The Museum houses a permanent collection of more than 1200 objects and annually produces five exhibitions alongside a residency program that has welcomed over 160 artists, as well as dozens of scholars and documentary artists. The Museum for Art in Wood aims to foster an appreciation for art, craft, and design in wood, creating a space for the public to learn, enjoy, and be inspired.
Museum for Art in Wood
Katie Hudnall, The Cabinet of Lost and Found Things, 2024, installation view. Reclaimed wood, string, springs, fasteners, various hardware, found objects, shellac, 42 x 132 x 30 in.
BA Harrington, Coming Out, 2021. Cherry, cotton yarn, brass hardware. Woven runner by Maggie Sasso.
Katie Hudnall, The Herd, 2024. Reclaimed Plywood, reclaimed wood, lenses, fasteners. 144 x 144 x 50 in.
Michelle Holzapfel, Self-Portrait, 1987. Cherry burl. 15 x 9 x 8 in. The Center for Art in Wood Museum Collection. Photo by John Carlano.
Katie Hudnall, Symbiosis #4: Drawings and Drawers, 2015. Found wood, found plywood, plywood, strings, springs, found objects, fasteners, hardware, various polychrome, lacquer wax. 80 x 48 x 35 in.
Martin Terry, Redgum Cyclops, 1999. Redgum. 8 x 3.5 in.
Katie Hudnall, Intermediary,
2017. Found wood, string, springs, paint. 54 x 70 x 30 in.
Alain Mailland, Purple Heart, 1999. Purpleheart. 4 x 7.5 x 6.75 in.
See Also
“The Warhol Foundation aims to support the full range of artistic activity in America—from exhibitions at major museums to neighborhood projects by artist collectives. Arts writers, through the range and specialization of their individual interests, touch upon all of this activity—illuminating and interrogating it and bringing it into conversation with the public. Support for artists is not complete without support for the circulation and serious consideration of their ideas. The Arts Writers Grant program keeps artists at the center of cultural dialogue and debate—in our opinion, right where they belong.”
Joel Wachs, President