The first UK exhibition to trace the development of modern art in Nigeria, Nigerian Modernism spans a period from indirect colonial rule to national independence and beyond, celebrating an international network of artists who combine African and European traditions, creating a vibrant artistic legacy. The exhibition presents the work of over 50 artists across 50 years, from Ben Enwonwu to El Anatsui. They each responded to Nigeria’s evolving political and social landscape by challenging assumptions and imagining new futures, reclaiming Indigenous traditions to create a new African vision of Modernism. Featuring more than 250 works, including painting, sculpture, textile, ceramics and works on paper, the exhibition offers a rare opportunity to encounter the creative forces who revolutionised modern art in Nigeria.
Nigerian Modernism
Uzo Egonu, Will Knowledge Safeguard Freedom 2, 1985.
© Estate of Uzo Egonu. Tiana and Vikram Chellaram.
J.D. Okhai Ojeikere, Untitled (Mkpuk Eba), 1974, printed 2012.
© reserved. Tate.
Jimo Akolo, Fulani Horsemen, 1962. © Reserved. Courtesy Bristol Museum and Art Gallery.
El Anatsui, Solemn Crowds at Dawn, 1965. © El Anatsui. Tate.
Bruce Onobrakpeya, The Last Supper. 1981. © reserved. Tate Collection.
1964
Philip Johnson commissioned Warhol to make a large-scale work for the exterior for his pavilion for the New York World’s Fair, along with other artists. Warhol’s provocative response, a multiple portrait of ‘Most Wanted Men’ was installed a few days before the opening but was deemed too inflammatory and contrary to the upbeat image of the World’s Fair and the work was taken down.