Wendy Red Star: A Scratch on the Earth is a mid-career survey of the work of Portland artist Wendy Red Star (born 1981, Billings, Montana). Drawing on pop culture, conceptual art strategies, and the Crow traditions within which she was raised, Red Star pushes photography in new directions—from self-portraiture to photo-collage and mixed media—to bring to life her unique perspective on American history. An enrolled member of the Apsáalooke (Crow) Tribe, Red Star works across disciplines to explore the intersections of Native American ideologies and colonialist structures. With more than 40 works highlighting Red Star’s production from 2006 to 2019, the exhibition includes photography, textiles, and film and sound installations. At the heart of the exhibition a new immersive video will be screened inside a sweat lodge constructed by the artist. The Indigenous roots of feminism, the importance of family, Crow mythology, the history of the Montana landscape, and the pageantry of Crow Fest are among the subjects Red Star explores in her work. A Scratch on the Earth also highlights how boundaries between cultural, racial, social, and gender lines are reinforced in America, and how these lines blur across time and place.
Wendy Red Star: A Scratch on the Earth
1964
Philip Johnson commissioned Warhol to make a large-scale work for the exterior for his pavilion for the New York World’s Fair, along with other artists. Warhol’s provocative response, a multiple portrait of ‘Most Wanted Men’ was installed a few days before the opening but was deemed too inflammatory and contrary to the upbeat image of the World’s Fair and the work was taken down.