1708 Gallery’s mission is to present exceptional new art. 1708 Gallery is committed to providing opportunities for artistic innovation for emerging and established artists and to expanding the understanding and appreciation of new art for the public. Its exhibition program features recent and newly commissioned work by artists who engage critically with the culture of our times, and whose practices highlight overlooked, under-valued or speculative subject positions. 1708 mounts six exhibitions annually in its main gallery space, organizes several satellite projects, including the annual InLight Richmond festival, and publishes an online journal, ext. 1708. 1708’s public art initiatives cultivate dialogue and exchange with a range of Richmond neighborhoods, expanding the diversity of participants in its programs and connecting its curatorial efforts to those of peer organizations around the country.
1708 Gallery
Lilliana Farber, “Adrift,” 2020. Microchips, LED light, solar charger, stone, plastic shelf, thermal printer.
Lilliana Farber, “Adrift,” 2020. Microchips, LED light, solar charger, stone, plastic shelf, thermal printer.
“Primordial Emanations: that which is brought forth follows the womb: a surrender to her luminous blackness,” 2020, Exhibition detail, Courtesy of the Artists and 1708 Gallery, photograph by David Hale
“Primordial Emanations: that which is brought forth follows the womb: a surrender to her luminous blackness,” 2020, Exhibition view, Courtesy of the Artists and 1708 Gallery, photograph by David Hale.
Mahari Chabwera, “I am fluid, I embrace my tides, Isis guide my rise,” 2020, Tempered glass, cowrie, gemstone, acrylic and oil tapestry painting, Courtesy of the Artist and 1708 Gallery, photograph by David Hale.
“Primordial Emanations: that which is brought forth follows the womb: a surrender to her luminous blackness,” 2020, Exhibition view, Courtesy of the Artists and 1708 Gallery, photograph by David Hale.
2014
The Cantor Arts Center at Stanford University acquired the Andy Warhol Photography Archive from The Andy Warhol Foundation for the Visual Arts in 2014. The collection of 3,600 contact sheets and corresponding negatives represents the complete range of Warhol’s black-and-white photographic practice from 1976 until his unexpected death in 1987.