A Nation Takes Place draws together a transnational collection of artwork by 38 artists to examine the connection between water and nation, water and sovereignty, and water and reimagined ecologies. While archives provide some access to the past, there are histories that have been erased, histories that remain inaccessible to language, and histories resistant to being written. In these gaps, the artists in A Nation Takes Place help us to fill in the spaces where words cannot. This exhibitions seeks to help us comprehend the complexity of the United States’ formation ,a project unthinkable without waterways, conquest, and slave ships. The artists approach maritime art looking toward the ways that the imaginaries of seafaring are tethered to the lethal technologies of enslavement, colonialism, genocide, dispossession and extraction.
A Nation Takes Place
See Also
1964
Philip Johnson commissioned Warhol to make a large-scale work for the exterior for his pavilion for the New York World’s Fair, along with other artists. Warhol’s provocative response, a multiple portrait of ‘Most Wanted Men’ was installed a few days before the opening but was deemed too inflammatory and contrary to the upbeat image of the World’s Fair and the work was taken down.