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Amalia Mesa-Bains: Archaeology of Memory

Institution
Berkeley Art Museum/Pacific Film Archives
Grant Cycle
Spring 2022
Amount
$100,000
Type of Grant
Exhibition Support
Website
bampfa.org/program/amalia-mesa-bains-archaeology-memory ↗
Amalia Mesa-Bains, What the River Gave to Me, 2002. Mixed media installation including hand-carved and painted sculptural landscape, LED lighting, crushed glass, hand-blown and engraved glass rocks, candles, 48 x 48 x 168 in. Courtesy of the artist and Rena Bransten Gallery. Photo by John Janca.
Amalia Mesa-Bains, Circle of Ancestors, 1995. Mixed media installation including candles and seven hand-painted chairs with mirrors and jewels, 168 in. diameter. Courtesy of the artist and Rena Bransten Gallery. Photo by John Janca.
Amalia Mesa-Bains, Private Landscapes and Public Territories, 1998-2011/2018. mixed media installation including painted and mirrored armoire, found objects, moss, dried flowers, faux topiaries, family photographs, miniature jeweled trees, painted wooden hedges, 120 x 240 x 300 in. Courtesy of the artist and Rena Bransten Gallery, San Francisco. Photo by Michael Karibian.
Amalia Mesa-Bains, An Ofrenda for Dolores del Rio, 1984/1991. Mixed media installation including plywood, mirrors, fabric, framed photographs. found objects, dried flowers, and glitter, 96 x 72 x 48 in. Courtesy of the artist and Smithsonian American Art Museum.
Amalia Mesa-Bains, Venus Envy II: The Virgin’s Garden, 1994 (detail). Mixed media installation, 180 x 120 x 72 in. Courtesy of the artist and Rena Bransten Gallery, San Francisco.
Amalia Mesa-Bains, Curando in Venus Envy Chapter IV: The Road to Paris and Its Aftermath, The Curandera’s Botanica, 2008/2023. Giclee print, 36 x 24 in. Courtesy of the artist and Rena Bransten Gallery, San Francisco.
Amalia Mesa-Bains, Cihuateotl with Mirror in Private Landscapes and Public Territories, 1998-2011. Mixed media installation including painted and mirrored armoire, found objects, moss, dried flowers, faux topiaries, family photographs, miniature jeweled trees, painted wooden hedges; 180 in. diameter. Courtesy of the artist and Rena Bransten Gallery, San Francisco. Photo by Michael Karibian.
Amalia Mesa-Bains, Guadalupe Twins in Venus Envy, Chapter III: Cihuatlampa, 1997. Giclee print; 14 x 36 in. Courtesy of the artist and Rena Bransten Gallery, San Francisco.
Amalia Mesa-Bains, Amazona Azteca in Venus Envy Chapter III: Cihuatlampa, The Place of the Giant Women, 1997. Giclee print; 36 x 24 in. Courtesy of the artist and Rena Bransten Gallery, San Francisco.

Amalia Mesa-Bains: Archaeology of Memory is the first retrospective exhibition of the work of longtime Bay Area artist Mesa-Bains. Presenting work from the entirety of her career for the first time, this exhibition, which features nearly 60 works in a range of media, including fourteen major installations, celebrates Mesa-Bains’s important contributions to the field of contemporary art locally and globally.

For over forty-five years, Mesa-Bains has worked to bring Chicana art into the broader American field of contemporary art through innovations of sacred forms such as altares (home altars), ofrendas (offerings to the dead), descansos (roadside resting places), and capillas (home yard shrines). She expanded her installations from domestic spaces to include laboratories, library forms, gardens, and landscapes, focusing attention on the politics of space to highlight colonial erasure of the preexisting and still-surviving cultural differences in colonized Indigenous and Mexican American communities. Many of these works offer a feminist perspective on the domestic life of immigrant and Mexican American women across different historical periods—most notably the four-part installation series Venus Envy, which was created over multiple decades and will be displayed in its entirety for the first time at BAMPFA.

See Also

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The Andy Warhol Foundation for the Visual Arts
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