The Arizona State University Art Museum supports the creation of new and experimental work through its exhibitions, long-term residencies, and the access it offers artists to the immense resources of the university. The museum forges meaningful connections across all areas of research in order to create a better, more sustainable future.
Arizona State University Art Museum
- Location
- Tempe, AZ
- Grant Cycle
- Spring 2019
- Amount
- $100,000
- Type of Grant
- Multi-year Program Support

Installation view: “Pulso: Tania Candiani, Part I,” Sept. 2019–Feb. 2020, Arizona State University Art Museum. Photo by Craig Smith.

Tania Candiani, “Pulso,” 2016, Courtesy of the artist and Fundación Alumnos, Proyecto
Líquido. Photo by Juan Pablo de la Vega

Installation view: “Pulso: Tania Candiani, Part I,” Sept. 2019–Feb. 2020, Arizona State University Art Museum. Photo by Craig Smith.

Tania Candiani, “Pulso,” 2016, Courtesy of the artist and Fundación Alumnos, Proyecto
Líquido. Photo by Juan Pablo de la Vega

Installation view: “Pulso: Tania Candiani, Part I,” Sept. 2019–Feb. 2020, Arizona State University Art Museum. Photo by Craig Smith.

Tania Candiani, “Pulso,” 2016, Courtesy of the artist and Fundación Alumnos, Proyecto
Líquido. Photo by Juan Pablo de la Vega

Installation view: “Total Collapse: Clay in the Contemporary Past,” Feb. 2020 – June 2020, Arizona State University Art Museum, Photo: Craig Smith

Kahlil Robert Irving, “Rows / Columns: Daily NEWS of DAILY LAW and LIFE - (text vase),” 2018,
Glazed and unglazed stoneware and porcelain, opal luster, gold luster, silver luster, blue luster, found
decals, constructed decals. Courtesy of the artist and Callicoon Fine Arts (NY).

Installation view: “Total Collapse: Clay in the Contemporary Past,” Feb. 2020 – June 2020, Arizona State University Art Museum, Photo: Craig Smith

Michael Jones McKean, “The Pottery,” 2019, Aluminum, paper, wood, UV epoxy, paint. Courtesy of the artist.

Installation view: “Total Collapse: Clay in the Contemporary Past,” Feb. 2020 – June 2020, Arizona State University Art Museum, Photo: Craig Smith

Unknown Fields Division, “Rare Earthenware,” 2014–2015, Video, 6:42 minutes. Film and
photography in collaboration with Toby Smith, ceramics assistance from Kevin Callaghan, animation
assistance from Christina Varvia. Courtesy of the artist and collaborators.
“Being good in business is the most fascinating kind of art”
Andy Warhol, The Philosophy of Andy Warhol (From A to B and Back Again)