The Arizona State University Art Museum supports the creation of new and experimental work through its exhibitions, long-term residencies, and the access it offers artists to the immense resources of the university. The museum forges meaningful connections across all areas of research in order to create a better, more sustainable future.
Arizona State University Art Museum
Installation view: “Pulso: Tania Candiani, Part I,” Sept. 2019–Feb. 2020, Arizona State University Art Museum. Photo by Craig Smith.
Tania Candiani, “Pulso,” 2016, Courtesy of the artist and Fundación Alumnos, Proyecto
Líquido. Photo by Juan Pablo de la Vega
Installation view: “Pulso: Tania Candiani, Part I,” Sept. 2019–Feb. 2020, Arizona State University Art Museum. Photo by Craig Smith.
Tania Candiani, “Pulso,” 2016, Courtesy of the artist and Fundación Alumnos, Proyecto
Líquido. Photo by Juan Pablo de la Vega
Installation view: “Pulso: Tania Candiani, Part I,” Sept. 2019–Feb. 2020, Arizona State University Art Museum. Photo by Craig Smith.
Tania Candiani, “Pulso,” 2016, Courtesy of the artist and Fundación Alumnos, Proyecto
Líquido. Photo by Juan Pablo de la Vega
Installation view: “Total Collapse: Clay in the Contemporary Past,” Feb. 2020 – June 2020, Arizona State University Art Museum, Photo: Craig Smith
Kahlil Robert Irving, “Rows / Columns: Daily NEWS of DAILY LAW and LIFE - (text vase),” 2018,
Glazed and unglazed stoneware and porcelain, opal luster, gold luster, silver luster, blue luster, found
decals, constructed decals. Courtesy of the artist and Callicoon Fine Arts (NY).
Installation view: “Total Collapse: Clay in the Contemporary Past,” Feb. 2020 – June 2020, Arizona State University Art Museum, Photo: Craig Smith
Michael Jones McKean, “The Pottery,” 2019, Aluminum, paper, wood, UV epoxy, paint. Courtesy of the artist.
Installation view: “Total Collapse: Clay in the Contemporary Past,” Feb. 2020 – June 2020, Arizona State University Art Museum, Photo: Craig Smith
Unknown Fields Division, “Rare Earthenware,” 2014–2015, Video, 6:42 minutes. Film and
photography in collaboration with Toby Smith, ceramics assistance from Kevin Callaghan, animation
assistance from Christina Varvia. Courtesy of the artist and collaborators.
“I love uniforms! Because if there’s nothing there, clothes are certainly not going to make the man. It’s better to always wear the same thing and know that people are liking you for the real you and not the you your clothes make.”
The Philosophy of Andy Warhol (From A to B & Back Again)