Art and Race Matters: The Career of Robert Colescott is the first comprehensive retrospective of the compelling and controversial American painter Robert Colescott. Organized by Lowery Stokes Sims, curator emerita at the Museum of Arts and Design, and independent scholar Matthew Weseley, the exhibition surveys the range of Colescott’s artistic career, from his earliest abstractions to the colorful Valley Queen figures made in Egypt to the iconoclastic work of the 1970s and ’80s that secured his reputation.
Art and Race Matters: The Career of Robert Colescott
"Art and Race Matters: The Career of Robert Colescott" at the Contemporary Art Center Cincinnati.
"Art and Race Matters: The Career of Robert Colescott" at the Contemporary Art Center Cincinnati.
"Art and Race Matters: The Career of Robert Colescott" at the Contemporary Art Center Cincinnati.
"Art and Race Matters: The Career of Robert Colescott" at the Contemporary Art Center Cincinnati.
"Art and Race Matters: The Career of Robert Colescott" at the Contemporary Art Center Cincinnati.
"Art and Race Matters: The Career of Robert Colescott" at the Contemporary Art Center Cincinnati.
Installation image: To Be Real exhibition by Rashaad Newsome at the Philadephia Photo Arts Center. 2019. Photo by Anthony Wood
Installation images from the Contemporary Photography Exhibition IX featuring Sasha Phyars-Burgess and Guanyu Xu. The juror was Dan Leer, curator of photography at the Carnegie Museum of Art. PHotos by Lori Waselchuk/PPAC
Installation images from the Contemporary Photography Exhibition IX featuring Sasha Phyars-Burgess and Guanyu Xu. The juror was Dan Leer, curator of photography at the Carnegie Museum of Art. PHotos by Lori Waselchuk/PPAC
Installation of David Hart’s solo exhibition, Negative Space/The Last Poet, February 29 – May 19, 2018. Photo by Lori Waselchuk
Thinking of a Place Opening Reception, June 13, 2018.
Thinking of a Place investigates the nature of a place through the medium of the photo book. Curated by Josh Brilliant, Thinking of a Place explores how photographs can be made of the familiar and unfamiliar while acknowledging the politics of representing another’s home and culture.
With over 100 books from 93 different artists from around the globe, Thinking of a Place is both an exhibition and a reading room. Visitors will have the opportunity to remove each book from the wall for a more intimate experience. Ranging from unique artist books to iconic publications, Thinking of a Place gathers a distinct selection of books that both challenges and illuminates what it means to visually encounter a place.
Photos by Lori Waselchuk
Thinking of a Place Opening Reception, June 13, 2018.
Thinking of a Place investigates the nature of a place through the medium of the photo book. Curated by Josh Brilliant, Thinking of a Place explores how photographs can be made of the familiar and unfamiliar while acknowledging the politics of representing another’s home and culture.
With over 100 books from 93 different artists from around the globe, Thinking of a Place is both an exhibition and a reading room. Visitors will have the opportunity to remove each book from the wall for a more intimate experience. Ranging from unique artist books to iconic publications, Thinking of a Place gathers a distinct selection of books that both challenges and illuminates what it means to visually encounter a place.
Photos by Lori Waselchuk
Installation of Contemporary Photography Exhibition VIII at Philadelphia Photo Arts Center April 11 – May 18, 2019. The show features two winners: Claire A. Warden and Arielle Bobb-Willis. Photo by Lori Waselchuk
Installation of Contemporary Photography Exhibition VIII at Philadelphia Photo Arts Center April 11 – May 18, 2019. The show features two winners: Claire A. Warden and Arielle Bobb-Willis. Photo by Lori Waselchuk
2007
The Andy Warhol Photographic Legacy Program was launched in 2007 in celebration of the Foundation’s 20th Anniversary. This unprecedented program donated over 28,500 photographs by Andy Warhol to educational institutions across the United States. More than 180 college and university museums, galleries and art collections throughout the nation participated in the program, each receiving a curated selection of original Polaroid photographs and gelatin silver prints.