The Andy Warhol Foundation for the Visual Arts

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Arts Advocacy Project

Institution
National Coalition Against Censorship
Location
New York, NY
Grant Cycle
Fall 2021
Amount
$150,000
Type of Grant
Multi-year Program Support
Website
ncac.org ↗
Spencer Tunick, We the Nipple, 2019. Art action calling for artistic freedom on Facebook and Instagram.
Smart Tactics book cover.
Karyn Olivier, Witness, 2018 (detail). The artist's counter-work to a disputed mural at the University of Kentucky.
Beau Stanton's disputed mural on a school in Los Angeles.

The National Coalition Against Censorship’s Arts Advocacy Program, launched in 2000, is the only national project dedicated to working directly with individual artists and curators involved in censorship disputes. Its main goal is to protect artists’ rights to participate in the democratic dialogue by defending public access to their work, and supporting their ability to freely express views that might be unpopular or controversial. The project resolves controversies through education and advocacy, avoiding the need for legal action. Working within a larger organization allows us to capitalize on the fact that controversial issues are not confined to one medium of expression or one social sphere. We work with different constituencies to mobilize a wide base of support, and produce policy documents and materials for educational programs. We also analyze censorship trends and train artists to become their own advocates and develop strategies to counter censorship in all its ever-changing forms.

See Also

Diego Marcial Rios, Stop Killing Us, 2020, 10 x 10 in and Will Kill Mexicans and Blacks Cheap, 2020, 10 x 10 in.
Multi-year Program Support

Arts Advocacy Project
National Coalition Against Censorship
New York, NY

Foundation

The Andy Warhol Foundation for the Visual Arts Announces Fall 2021 Grantees and New Website

12 January 2022

Foundation

The Andy Warhol Foundation for the Visual Arts Fall 2019 Grants

16 January 2020

1976

Warhol acquires the first of several compact 35 mm cameras, and over the next 11 years shot approximately 130,000 black-and-white images, claiming that “having a few rolls of film to develop gives me a good reason to get up in the morning.”

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