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Bob Thompson: This House is Mine

Institution
Colby College Museum of Art
Grant Cycle
Spring 2020
Amount
$100,000
Type of Grant
Exhibition Support
Website
colby.edu/museum ↗

The first museum exhibition devoted to the visionary African American painter in more than twenty years, This House Is Mine traces Thompson’s brief but prolific transatlantic career, examining his formal inventiveness and his engagement with universal themes of collectivity, bearing witness, struggle, and justice. Over a mere eight years, he grappled with the exclusionary Western canon, developing a lexicon of enigmatic forms that he threaded through his work. Human and animal figures, often silhouetted and relatively featureless, populate mysterious vignettes set in wooded landscapes or haunt theatrically compressed spaces. Thompson reconfigures well-known compositions by European artists such as Piero della Francesca and Francisco de Goya through brilliant acts of formal distortion and elision, recasting these scenes in sumptuous colors.

Bringing together paintings and works on paper from almost fifty public and private collections across the United States, This House Is Mine centers Bob Thompson’s work within expansive art historical narratives and ongoing dialogues about the politics of representation, charting his enduring influence.


Bob Thompson, “Discovery of the True Cross,” 1966. Mixed media on paper mounted on canvas. 54 1/2 × 53 1/4 in. (138.4 × 135.2 cm). Collection of Robert Jacobs. © Michael Rosenfeld Gallery LLC, New York. Photo: Tim Thayer
Bob Thompson, “Garden of Music,” 1960. Oil on canvas. 79 1/2 × 143 in. (201.9 × 363.2 cm). Wadsworth Atheneum Museum of Art, Hartford, Connecticut. The Ella Gallup Sumner and Mary Catlin Sumner Collection Fund. © Michael Rosenfeld Gallery LLC, New York. Photo: Allen Phillips / Wadsworth Atheneum
Bob Thompson, “The Judgment of Paris,” 1964. Oil on canvas. 75 3/8 × 60 5/16 in. (191.5 × 153.2 cm). Munson-Williams-Proctor Arts Institute, Museum of Art. © Michael Rosenfeld Gallery LLC, New York. Photo: Munson-Williams-Proctor Arts Institute / Art Resource, NY
Bob Thompson, “The Snook (The Sack),” 1961. Oil on canvas. 23 1/2 × 36 in. (59.7 × 91.4 cm). Collection of Andrew Nelson. © Michael Rosenfeld Gallery LLC, New York
Bob Thompson, “Untitled,” 1962. Oil on canvas. 48 × 36 in. (121.9 × 91.4 cm). Colby College Museum of Art. Gift of the Alex Katz Foundation. © Michael Rosenfeld Gallery LLC, New York. Photo: Luc Demers
1966

Warhol’s film Chelsea Girls is a commercial success, offering an unedited glimpse into the daily lives of several Factory Superstars. Later it is considered an influential forerunner of reality TV.

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