Theaster Gates: The Gift and The Renege presents work by the acclaimed Chicago-based artist, featuring large-scale paintings, sculptures, and installations that highlight the seen and unseen dynamics of Freedmen’s Town in Houston’s Fourth Ward. Throughout his career, Theaster Gates has elevated understanding of Black labor, materials, place, and community to revitalize underrecognized neighborhoods by combining urban planning and a multifaceted art practice. His work highlights the true value Black spaces hold—although often devalued—as sites of American resilience, liberation, and redemption. Gates is an artist who singularly connects the dots in both poetic and pragmatic ways. For over 20 years he has worked to transform the Southside of Chicago through various initiatives aimed at preserving and continuing the neighborhood’s vital role as a site for Black creativity. His multifaceted practice demonstrates the dual importance of building community and exposing power structures.
Contemporary Art Museum Houston
Olivia Erlanger: If Today Were Tomorrow is the artist’s first solo museum presentation in the United States. Across an installation, a video, and a series of commissioned sculptures, Erlanger continues her decade-long investigation into what it means to call a planet home. The artist produced all new work for this exhibition, informed by her interest in “closed worlds”—human-made, climate-controlled environments. Erlanger converts the gallery into a sculptural landscape comprising distinct yet interrelated zones: a set showcasing her short film Appliance (2024); dioramas of off-world landscapes and impossible architectures; illuminated planet sculptures; and a constellation of arrows piercing the Museum’s brutalist staircase.
“The terrific range of project proposals we receive each year speaks to the mobile and porous disciplinary boundaries of contemporary art practice, and to the rich and inventive ways writers approach art today. They are alert to the urgent need to expand the conventions of art history and criticism with ideas from other discourses, such as black studies, transnational and diaspora studies, gender and women’s studies, and LGBT studies. The work of lesser known and overlooked artists and art communities continues to be mined, with writers articulating new ways to counter the striking imbalances of race, class and gender that continue to affect the arts and the culture industry.”