Focused on the decades immediately following the Cuban Revolution (1959), A Modernist Regime: Cuban Mid-Century Modern Design presents a small but prolific cohort of artists, designers, and architects who responded to the demands of a newly centralized economy, including the material constraints imposed by ensuing embargoes, popular demands for more equitable access to goods, and initial excitement about the role modern design could play in shaping a new society. This exhibition is the first museum presentation on Cuban mid-century design anchored by an under-acknowledged collection of furniture and furnishings, examples of which have not been exhibited off the island.
A Modernist Regime: The Cuban Contemporary Lens
1986
Warhol painted more than 100 works related to Leonardo da Vinci’s Last Supper, which some have read as complex reckoning of his homosexuality, Catholicism, and mortality in response to witnessing AIDS devastate the gay community.