Since the beginning of his career, Dawoud Bey has used his camera to depict communities and histories that have largely remained underrepresented or even unseen. This full-scale retrospective highlights the artist’s commitment over the course of his four-decade career to portraying the Black subject and African-American history in a manner that is at once direct and poetic, and immediate and symbolic. The exhibition includes his tender and perceptive early portraits of Harlem residents, large-scale color Polaroids, and a series of collaborative word and image portraits of high school students, among others.
Dawoud Bey: An American Project
2007
The Regional Re-granting Program is established to recognize and support the movement of independently organized, public-facing, artist-centered activity that animates local and regional art scenes but that lies beyond the reach of traditional funding sources.