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Faith Ringgold: American People

Institution
New Museum
Grant Cycle
Spring 2021
Amount
$100,000
Type of Grant
Exhibition Support
Website
faith-ringgold-american-people ↗
Faith Ringgold: American People, 2022. Exhibition view. New Museum, New York. Photo: Dario Lasagni
Faith Ringgold: American People, 2022. Exhibition view. New Museum, New York. Photo: Dario Lasagni
Faith Ringgold: American People, 2022. Exhibition view. New Museum, New York. Photo: Dario Lasagni
Faith Ringgold, Matisse’s Model: The French Collection Part I, #5, 1991. Acrylic on canvas, printed and tie-dyed pieced fabric, ink, 73 ¼ x 79 ¾ in. (186.1 x 202.6 cm). Baltimore Museum of Art; Frederick R. Weisman Contemporary Art Acquisitions Endowment. © Faith Ringgold / ARS, NY and DACS, London, courtesy ACA Galleries, New York 2022
Faith Ringgold: American People, 2022. Exhibition view. New Museum, New York. Photo: Dario Lasagni
Faith Ringgold: American People, 2022. Exhibition view. New Museum, New York. Photo: Dario Lasagni
Faith Ringgold, Mother’s Quilt, 1983. Painted, appliqued, and embroidered fabric with sequins, 58 x 43 ½ in. (147.3 x 110.5 cm). Collection Ed Bradley & Patricia Blanchet. © Faith Ringgold / ARS, NY and DACS, London, courtesy ACA Galleries, New York 2022. Courtesy Serpentine, London
Faith Ringgold: American People, 2022. Exhibition view. New Museum, New York. Photo: Dario Lasagni
Faith Ringgold: American People, 2022. Exhibition view. New Museum, New York. Photo: Dario Lasagni

The New Museum presents New York’s first full retrospective of the art of Faith Ringgold. Bringing together over sixty years of work, Faith Ringgold: American People provides the most comprehensive assessment to date of Ringgold’s impactful vision. Artist, author, educator, and organizer, Faith Ringgold links the multi-disciplinary achievements of the Harlem Renaissance to the political art of young Black artists working today. During the 1960s, Ringgold created some of the most indelible art of the civil rights era, melding her own unique style of figurative painting with a bold, transformative approach to the language of protest. In subsequent decades, she challenged accepted hierarchies of art and craft through her experimental quilt paintings and undertook a deeply studied reimagining of art history, producing narratives that bear witness to the historical sacrifices and achievements of Black Americans.

See Also

Foundation

The Andy Warhol Foundation for the Visual Arts Announces Spring 2021 Grantees

29 June 2021

Kerry James Marshall, “Untitled (policeman),” 2015. Acrylic on PVC panel with plexiglass frame, 60 x 60 in (152.4 x 152.4 cm). Museum of Modern Art, Gift of Mimi Haas in honor of Marie-Josée Kravis. © Kerry James Marshall. Courtesy the artist and Jack Shainman Gallery, New York
Exhibition Support

Grief and Grievance: Art and Mourning in America
The New Museum
New York, NY

Exhibition Support

Sarah Lucas: Au Naturel
New Museum

New York, NY

“Our grantees range from small arts organizations with one staff member to major museums, yet they all provide essential resources for artists as well as innovative platforms for critical cultural dialogue. Creative risk-taking is at the heart of this country’s most meaningful social, political, and cultural developments, therefore we are proud to stand behind artist-centered organizations that support experimental practice.”

Joel Wachs, President

The Andy Warhol Foundation for the Visual Arts
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