Falling Sideways: Corollary will be a temporary, site-specific installation housed in an abandoned warehouse. The immersive environment uses light and sound to conjure a deep space, sci-fi scenario in which a planet escapes its solar system, and the other planets race to get it back. The Seafoam Palace is an art and science collective based in Detroit, with an international array of artist contributors. Previous chapters of this speculative cosmology have been presented in tunnels and former industrial sites in Berlin, Tunisia, Krakow, Estonia, Ohio, Rhode Island, and Texas among other places.
Falling Sideways: Corollary
Installation view of Seafoam Palace’s performance Salt Mine in the world’s deepest salt mine, Wieliczka Salt Mine, Poland, 2023. Photo by Julia Solis.
Installation detail of Seafoam Palace’s performance of “Roadside Picnic” in a partly imploded WW2 flak tower in Berlin, 2025. Photo by Julia Solis.
In 2024, Seafoam Palace artists traveled to Tunisia searching for a meteorite sliver that could translate messages from a binary sun. The narrative-driven performance, title Milk of Hamm of the sliver activation took place in an abandoned train yard. Photo by Julia Sollis.
Installation detail of a sculpture created by artist Eduardo Cunha for Seafoam Palace’s “Sea Goat” performance presented during Berlin’s annual Long Night of Museums, 2024. Photo by Julia Solis.
Installation view of Seafoam Palace’s performance of “Pyramidion” in an abandoned sand mine below the Twin Cities (Minnesota), 2025. Photo by Julia Solis.
“It is an honor to be part of The Warhol Foundation’s mission to support the visual arts coupled with its commitment to specifically support the voices of women, POC, Native Americans, and LGBTQ. It is simply thrilling to be part of an organization where we get to see these values writ large and implement real change in real life ways in the visual arts community that still so needs to move forward in terms of social justice, equality, and diversity. We put our money where our mouth is. How many institutions actually do that?”
Deborah Kass, Artist