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Firelei Báez

Institution
Institute of Contemporary Art/Boston
Grant Cycle
Fall 2022
Amount
$100,000
Type of Grant
Exhibition Support
Website
www.icaboston.org/exhibitions/firelei-baez ↗
Firelei Báez, Untitled (Temple of Time), 2020. Oil, acrylic, and inkjet on canvas. 94 1/2 × 132 3/8 × 1 5/8 inches. Courtesy the artist and Hauser & Wirth, New York. Photo by Phoebe d’Heurle. © Firelei Báez
Firelei Báez, Man Without a Country (aka anthropophagist wading in the Artibonite River), 2014–15. Gouache, ink, and chine-collé on 225 deaccessioned book pages, 106 1/4 × 252 inches. Image courtesy the artist and Hauser & Wirth, New York. Photo by Oriol Tarridas. © Firelei Báez
Firelei Báez, Man Without a Country (aka anthropophagist wading in the Artibonite River) (detail), 2014–15. Gouache, ink, and chine-collé on 225 deaccessioned book pages. 106 1/4 × 252 inches. Image courtesy the artist and Hauser & Wirth, New York. Photo by Oriol Tarridas. © Firelei Báez
Firelei Báez, Fire wood pretending to be fire, February 12, 2012, 2013. Acrylic and gouache on Yupo paper. 25 3/4 × 20 inches. Courtesy the artist and Hauser &Wirth, New York. Photo by Adam Reich. © FireleiBáez
Firelei Báez, A Drexcyen chronocommons (To win the war you fought it sideways), 2019. Installation view, Firelei Báez: A Drexcyen chronocommons (To win the war you fought it sideways), James Cohan, New York, 2019. Image courtesy the artist and Hauser & Wirth, New York. Photo by Phoebe d’Heurle. © Firelei Báez
Firelei Báez, A Drexcyen chronocommons (To win the war you fought it sideways) (detail), 2019. Two paintings, hand-painted wooden frame, perforated tarp, printed mesh, handmade paper over found objects, plants, books, Oman incense, and palo santo. 373 1/4 × 447 1/8 × 157 1/8 inches. Image courtesy the artist and Hauser & Wirth, New York. Photo by Phoebe d’Heurle. © Firelei Báez
Firelei Báez, A Drexcyen chronocommons (To win the war you fought it sideways) (detail), 2019. Two paintings, hand-painted wooden frame, perforated tarp, printed mesh, handmade paper over found objects, plants, books, Oman incense, and palo santo. 373 1/4 × 447 1/8 × 157 1/8 inches. Image courtesy the artist and Hauser & Wirth, New York. Photo by Phoebe d’Heurle. © Firelei Báez

Over the past fifteen years, Firelei Báez has made work that explores the multilayered legacy of colonial histories and the African diaspora in the Caribbean and beyond. She draws on the disciplines of anthropology, geography, folklore, fantasy, science fiction, and social history to unsettle categories of race, gender, and nationality in her paintings, drawings, and installations. Her exuberant paintings feature finely wrought, complex, and layered uses of pattern, decoration, and saturated color, often overlaid on maps made during colonial rule in the Americas. Báez’s investment in the medium of painting and its capacity for storytelling and mythmaking informs all her work, including her sculptural installations, which bring this quality into three dimensions. This exhibition will be the first museum survey dedicated to the artist’s richly layered work

See Also

Exhibition Support

Deana Lawson
Institute of Contemporary Art/Boston
Boston, MA

“Our grants help to ensure that a broad range of artistic voices participate in cultural dialogue around issues of pressing local, regional and national concern.”

Joel Wachs, President

The Andy Warhol Foundation for the Visual Arts
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