The weight of a patina of time convenes a series of works by Gala Porras-Kim (b. 1984, Bogotá, Colombia; lives and works in Los Angeles and London) research-based practice looks closely at the layered meaning of objects in the 21st-century museum. Her in-depth explorations of the uncertain histories of ancient objects reimagine their pasts while charting new possibilities for their present and future. Spanning sculpture, drawing, and installation, as well as objects from and projects based on the Fowler’s collections, the works on view reflect the artist’s affinity for fragments, conflicting histories, undeciphered texts, and other instances of uncertainty within the space of the museum. They additionally address the challenges of maintaining knowledge over centuries in shifting institutional contexts, and document Porras-Kim’s interventions into systems of classification and knowledge production.
Gala Porras-Kim: The weight of a patina of time
2014
The Cantor Arts Center at Stanford University acquired the Andy Warhol Photography Archive from The Andy Warhol Foundation for the Visual Arts in 2014. The collection of 3,600 contact sheets and corresponding negatives represents the complete range of Warhol’s black-and-white photographic practice from 1976 until his unexpected death in 1987.