Born in Chicago in 1940, Gladys Nilsson is best known for her watercolors of long-limbed figures engaged in everyday micro-dramas. As a member of Chicago’s Hairy Who in the 1960s, Nilsson made watercolors that earned her a reputation as the most “feminine” member of the group—a characterization that she has challenged and spoofed throughout her career. Nilsson’s self-reflexive approach has guided her experimental practice, which includes Plexiglas paintings, largescale diptychs, embroidery-hoop paintings, black-on-silver drawings, prints, and mixed-media collages.
Gladys Nilsson: Gleefully Askew, 1963 – 2026
Gladys Nilsson, Small Ape Place, 1973. Acrylic on canvas, 30 x 36 in
Gladys Nilsson, Spark, 2023. Watercolor, gouache, graphite, colored pencil, ink and crayon on paper, 40 ¼ × 60 ¼ in.
Gladys Nilsson, Ladies Dance, 1975. Watercolor on paper, 14 x 11 ½ in.
Gladys Nilsson, Waterplay, 2023. Colored pencil, watercolor, gouache, graphite and crayon on paper, 30 x 22 ½ in.
Gladys Nilsson, Jump Rope, 1996. Watercolor on paper, 13 7/8 x 9 7/8 in.
Gladys Nilsson, Winterlude, 1996. Watercolor and gouache on paper, 10 1/8 x 8 in.
“It is an honor to be part of The Warhol Foundation’s mission to support the visual arts coupled with its commitment to specifically support the voices of women, POC, Native Americans, and LGBTQ. It is simply thrilling to be part of an organization where we get to see these values writ large and implement real change in real life ways in the visual arts community that still so needs to move forward in terms of social justice, equality, and diversity. We put our money where our mouth is. How many institutions actually do that?”
Deborah Kass, Artist