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Jonas Mekas: The Camera Was Always Running

Institution
The Jewish Museum
Grant Cycle
Spring 2020
Amount
$100,000
Type of Grant
Exhibition Support
Website
thejewishmuseum.org ↗

Jonas Mekas: The Camera Was Always Running will be the first survey in the United States of the poet, filmmaker, and tireless promoter of avant-garde cinema. The exhibition will focus on the intersection of art and exile in the Lithuanian artist’s work, arguing that Mekas’ embrace of art and New York’s creative community was deeply informed by his experience as a refugee. At the museum, the filmmaker’s status as an émigré of the post–World War II generation will be presented as a paradigm for the Jewish experience, as well as a contemporary point of connection to the record numbers of people worldwide now experiencing forced migration.


Jonas Mekas in front of Anthology Film Archives, ND, photo by Hollis Melton
ID photos of Jonas and Adolfas Mekas during their time in Displaced Persons camps (Top L - Bottom R clockwise: Adolfas Mekas, 1949, Kassel; Adolfas Mekas ND; Adolfas Mekas 1946; Jonas Mekas, 1948; Jonas Mekas, 1945; Jonas Mekas 1948; Adolfas Mekas. Flensburg, 1945; Jonas Mekas, 1946; Jonas Mekas 1947
Verso: ID photos of Jonas and Adolfas Mekas during their time in Displaced Persons camps
Jonas Mekas's hand transcribed notebook of Poezija by Jonas Kudsa Aleksandriskis, 1940
Film-makers’ Cinematheque flyer for programs at The Jewish Museum, December 1968 to February 1969.
Village Voice subscription advertisement featuring Jonas Mekas, 10/12/1972
Stills from Cassis, 1966, 16 mm
Production still from Guns of the Trees, 1962, 35mm
Stills from Reminiscences of a Journey to Lithuania, 1972, 16 mm
Images Our Of Darkness (number 23), 2012, B/W photograph
Still from Walden, 1968, 16 mm
Still from Letter From Greenpoint, 2004, Video
Still from Requiem, 2019, Video

See Also

Exhibition Support

Proposals are accepted for solo or two person shows and thematic group exhibitions taking place between 6 months and 2 years after the grant notification date (July 1st and January 1st). We are interested in supporting artists whose work has been less celebrated than that of their peers, whose commitment to their practice has been […]

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