Jonas Mekas: The Camera Was Always Running will be the first survey in the United States of the poet, filmmaker, and tireless promoter of avant-garde cinema. The exhibition will focus on the intersection of art and exile in the Lithuanian artist’s work, arguing that Mekas’ embrace of art and New York’s creative community was deeply informed by his experience as a refugee. At the museum, the filmmaker’s status as an émigré of the post–World War II generation will be presented as a paradigm for the Jewish experience, as well as a contemporary point of connection to the record numbers of people worldwide now experiencing forced migration.
Jonas Mekas: The Camera Was Always Running
1964
Philip Johnson commissioned Warhol to make a large-scale work for the exterior for his pavilion for the New York World’s Fair, along with other artists. Warhol’s provocative response, a multiple portrait of ‘Most Wanted Men’ was installed a few days before the opening but was deemed too inflammatory and contrary to the upbeat image of the World’s Fair and the work was taken down.