Lorraine O’Grady: Both/And is the first retrospective of one of the most significant contemporary figures working in performance, conceptual, and feminist art. Lorraine O’Grady replaces either/or ways of thinking with the endless loop of “both/and,” challenging the fixed positions of self and other, here and there, now and then, all while reflecting on the poignancy of lives lived within dualistic frameworks. The artist addresses her own experience as a person marked by racial hybridity―her family histories connect the Caribbean, Africa, Europe, and the United States―who is nonetheless definitively a Black woman. Through her exploration of legacies of cultural interconnection and reciprocal influences, O’Grady sheds light on the ways Blackness has always existed at the heart of Western modernism.
Lorraine O’Grady: Both/And
2014
The Cantor Arts Center at Stanford University acquired the Andy Warhol Photography Archive from The Andy Warhol Foundation for the Visual Arts in 2014. The collection of 3,600 contact sheets and corresponding negatives represents the complete range of Warhol’s black-and-white photographic practice from 1976 until his unexpected death in 1987.