Lorraine O’Grady: Both/And is the first retrospective of one of the most significant contemporary figures working in performance, conceptual, and feminist art. Lorraine O’Grady replaces either/or ways of thinking with the endless loop of “both/and,” challenging the fixed positions of self and other, here and there, now and then, all while reflecting on the poignancy of lives lived within dualistic frameworks. The artist addresses her own experience as a person marked by racial hybridity―her family histories connect the Caribbean, Africa, Europe, and the United States―who is nonetheless definitively a Black woman. Through her exploration of legacies of cultural interconnection and reciprocal influences, O’Grady sheds light on the ways Blackness has always existed at the heart of Western modernism.
Lorraine O’Grady: Both/And
1964
Philip Johnson commissioned Warhol to make a large-scale work for the exterior for his pavilion for the New York World’s Fair, along with other artists. Warhol’s provocative response, a multiple portrait of ‘Most Wanted Men’ was installed a few days before the opening but was deems too inflammatory and contrary to the upbeat image of the World’s Fair and the work was taken down.