The Andy Warhol Foundation for the Visual Arts

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MONUMENTS

Institution
Museum of Contemporary Art, Los Angeles
Grant Cycle
Fall 2022
Amount
$100,000
Type of Grant
Exhibition Support
Website
moca.org/monuments ↗
Laura Gardin Fraser, Robert E. Lee and Stonewall Jackson, 1948 (left). Bronze 167 x 192 x 116 in. Hank Willis Thomas, A Suspension of Hostilities, 2019 (right). 1969 Dodge Charger, 178 x 76 5/8 x 55 in.⁠ Photo by Stefanie Keenan for Getty Images.⁠
Jon Henry, Untitled #31, Wynwood, FL, 2017, digital archival print on matte paper, 30 x 24 in. (76.2 x 61 cm). Courtesy of the artist.
Kara Walker, Unmanned Drone, 2023. Bronze, 134 x 153 1/2 x 55 in. Photo by Ruben Diaz⁠
Stan Douglas, Birth of a Nation (still), 2025, five-channel video installation (color, silent), 13:20 minutes. Courtesy of the artist, Victoria Miro, and David Zwirner. Commissioned by the Hartwig Art Foundation with the Brick, Los Angeles. © Stan Douglas.
JX57HB Baltimore, USA. 14th Aug, 2017. Confederate soldiers and sailors monument in Baltimore vandalized with red paint after anti white supremacy march.This is one of 4 monuments in Baltimore recommended for removal by a Special Commission to Review Baltimore's Public Confederate Monuments, appointed by the former Baltimore Mayor Stephanie Rawlings Blake in 2015. Credit: Picture Architect/Alamy Live News
Nona Faustine, Ye Are My Witness, Brooklyn, NY, 2018, pigment print, 33 3/8 x 50 in. (84.8 x 127 cm). Courtesy of the Estate of Nona Faustine and Higher Pictures.
Karon Davis, Descendant, 2025. Plywood, MDF, latex paint, metal hardware, steel, aluminum, fiberglass,131 7/8 x 44 3/4 x 53 5/16 in. Photo by Stefanie Keenan for Getty Images.⁠
Walter Price, Pond de Rivaaahh, 2023, acrylic and gesso on canvas, 65 x 130 in. (165.1 x 330.2 cm). Courtesy of the artist and Greene Naftali, New York. Photo by Elisabeth Bernstein.

Co-organized and co-presented by MOCA and The Brick, MONUMENTS marks the recent wave of monument removals as a historic moment. The exhibition reflects on the histories and legacies of post-Civil War America as they continue to resonate today, bringing together a selection of decommissioned monuments, many of which are Confederate, with contemporary artworks borrowed and newly created for the occasion. Removed from their original outdoor public context, the monuments in the exhibition will be shown in their varying states of transformation, from unmarred to heavily vandalized.

Co-curated by Hamza Walker, Director of The Brick; Bennett Simpson, Senior Curator at MOCA; and Kara Walker, artist; with Hannah Burstein, Curatorial Associate at The Brick; and Paula Kroll, Assistant Curator at MOCA, MONUMENTS considers the ways public monuments have shaped national identity, historical memory, and current events.

See Also

Masumi Hayashi, Republic Steel Quarry, Site 666, Elyria, Ohio, 1989, Panoramic photo collage with Kodak Type-C prints, 40 x 20 in.
Multi-year Program Support

The Brick
Los Angeles, CA

Henry Taylor, “Watch your back”, 2013. Acrylic on canvas, 87 1/2 x 77
1/2 x 2 in. Hammer Museum, Los Angeles,
purchase. Image and work ©Henry Taylor, courtesy the artist and Hauser
& Wirth. Photo by Sam Kahn.
Exhibition Support

Henry Taylor: B Side
Museum of Contemporary Art, Los Angeles
Los Angeles, CA

Installation view of Tala Madani: Biscuits, September 10, 2022–February 19, 2023 at The Geffen Contemporary at MOCA.
Courtesy of The Museum of Contemporary Art (MOCA). Photo by Jeff McLane.
Exhibition Support

Tala Madani: Biscuits
Museum of Contemporary Art Los Angeles
Los Angeles, CA

1987

The Andy Warhol Foundation for the Visual Arts is established in New York, NY. His will called for the creation of a foundation dedicated to “advancement of the visual arts,” and he left nearly his entire estate to the cause.

The Andy Warhol Foundation for the Visual Arts
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