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ON OUR BACKS: The Revolutionary Art of Queer Sex Work

Institution
Leslie-Lohman Museum of Art
Grant Cycle
Fall 2018
Amount
$50,000
Type of Grant
Exhibition Support

This exhibition explores the history of queer sex work culture, and its intimate ties to art and activism. Coined by bisexual activist, Carol Leigh, aka. The Scarlot Harlot in 1978, ‘sex work’ is broadly defined as exchanging sex or erotic services for gain and connotes personal agency and politicized action. More than a portrait of life at the margins, what emerges in this exhibit is a demonstration of queer and transgender sex workers’ deep community building, creative organizing, self-empowerment, identity/desire affirmation and healing and the use of pornography as a deft tool for queer and trans liberation.


Angelo Madsen Minax, Live Nude Genitals, 2012. Neon and Plexiglas, 36 x 36 inches. Photo by Kristine Eudey, 2019, courtesy of Leslie-Lohman Museum, New York.
Leon Mostovoy. From the “Market Street Cinema” series, 1987 – 1988. Silver gelatin print.

See Also

Ele and Lee lie facing each other. The two don’t prioritise official marriage, although they do see themselves in a long-term partnership, and imagine a life together outside of Singapore. They do not consider gender roles important in their relationship, which they see as egalitarian. 2018.
Multi-year Program Support

Leslie Lohman Museum of Art
New York, NY

“Our grantees range from small arts organizations with one staff member to major museums, yet they all provide essential resources for artists as well as innovative platforms for critical cultural dialogue. Creative risk-taking is at the heart of this country’s most meaningful social, political, and cultural developments, therefore we are proud to stand behind artist-centered organizations that support experimental practice.”

Joel Wachs, President

The Andy Warhol Foundation for the Visual Arts
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