Rachel Hooper, curator at the University of Kentucky Art Museum, will research and develop the first museum exhibition of photographs by William S. Dotson and Maurice W. Strider. During the Civil Rights Movement in Lexington, Kentucky, the two photographers competed to see who might create the best record of the African American community at this crucial moment. Strider learned a social function for art from Aaron Douglass and other professors at Fisk University, where Strider studied before returning to his hometown Lexington, Kentucky in 1934 to teach art at Dunbar High School. William S. Dotson graduated from the local HBCU, Kentucky State University, before moving to Lexington in 1938. Dotson became president of the local chapter of the NAACP and was involved with the Congress of Racial Equality (CORE). Dotson learned to be a photographer as part of his work for the Domestic Life and Accident Insurance Company, and he used his skills to advocate for civil rights, photographing local protests as well as the 1963 March on Washington and other national gatherings. Strider and Dotson took photographs for families in Lexington as well as serving as staff photographers for the Louisville Defender and Pittsburgh Courier. The University of Kentucky Art Museum’s exhibition of their work will focus on the role of photography in advancing civil and human rights, especially in the mid-twentieth century in Lexington, Kentucky.
Rachel Hooper
“Sometimes the little things you don’t think are anything while they’re happening turn out to be what marks a whole period of your life.”
The Philosophy of Andy Warhol (From A to B & Back Again)