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Really Free! The Radical Art of Nellie Mae Rowe

Institution
High Museum of Art
Grant Cycle
Fall 2020
Amount
$75,000
Type of Grant
Exhibition Support
Website
high.org/exhibition/really-free-the-radical-art-of-nellie-mae-rowe/ ↗
Nellie Mae Rowe, Happy Days, 1981. Crayon and pencil on paper, 18 x 24 inches. High Museum of Art, Atlanta, T. Marshall Hahn Collection, 1997.105. © Estate of Nellie Mae Rowe/Artists Rights Society (ARS), New York.
Nellie Mae Rowe (American, Untitled (Really Free!), 1967–1976. Marker and crayon on book page, 5 x 7 1⁄2 inches. Gift of Judith Alexander, 2002.239. © 2021 Estate of Nellie Mae Rowe/High Museum of Art, Atlanta.
Nellie Mae Rowe, Untitled (Voting), 1970s. Color photograph, crayon, pencil, and colored pencil on cardboard, 20 x 30 1/8 inches. Promised gift of Lucinda W. Bunnen. © Estate of Nellie Mae Rowe/Artists Rights Society (ARS), New York. Photo by Mike Jensen.
Nellie Mae Rowe, What It Is, 1978–1982. Crayon, colored pencil, and pencil on paper, 21 x 21 1⁄4 inches. Gift of Judith Alexander, 2003.215. © 2021 Estate of Nellie Mae Rowe/High Museum of Art, Atlanta.
Nellie Mae Rowe, This World is Not My Home, 1979. Crayon, marker, colored pencil, and pencil on paper, 16 3⁄4 x 19 5⁄8 inches. Gift of Judith Alexander, 2003.167. © 2021 Estate of Nellie Mae Rowe/High Museum of Art, Atlanta.
Nellie Mae Rowe, Untitled (Pig on Expressway), 1980. Crayon and colored pencil on paper, 17 3⁄4 x 23 3⁄4 inches. Gift of Judith Alexander, 2003.227. © 2021 Estate of Nellie Mae Rowe/High Museum of Art, Atlanta.
Nellie Mae Rowe, Untitled (Cross and Trees), 1970s. Crayon, pencil, and marker on flattened shoebox, 12 x 13 1⁄2 inches. Gift of Judith Alexander, 2003.319. © 2021 Estate of Nellie Mae Rowe/High Museum of Art, Atlanta.
Nellie Mae Rowe, Untitled (The Angel and the Devil's Boot), 1978. Crayon, pen, and pencil on cardboard, 20 x 30 inches. Promised gift of Harvie and Charles Abney. © Estate of Nellie Mae Rowe/Artists Rights Society (ARS), New York. Photo by Mike Jensen.
Nellie Mae Rowe, Untitled (Peace), 1978–1982. Crayon and pen on paper, 17 x 14 inches. Gift of Judith Alexander, 2003.219. © 2021 Estate of Nellie Mae Rowe/High Museum of Art, Atlanta.

Based on the High’s leading collection of Rowe’s art, Really Free The Radical Art of Nellie Mae Rowe is the first major exhibition of her work in more than twenty years and the first to consider her practice as a radical act of self-expression and liberation in the post-civil rights-era South. Rowe created her first works as a child in rural Fayetteville, Georgia, but only found the time and space to reclaim her artistic practice in the late 1960s, following the deaths of her second husband and her longtime employer.

The exhibition will offer an unprecedented view of how she cultivated her drawing practice late in life, starting with colorful and at times simple sketches on found materials and moving toward her most celebrated, highly complex compositions on paper. Through photographs and reconstructions of her Playhouse created for an experimental documentary on her life, the exhibition also will be the first to put her drawings in direct conversation with her art environment.

1966

Warhol’s film Chelsea Girls is a commercial success, offering an unedited glimpse into the daily lives of several Factory Superstars. Later it is considered an influential forerunner of reality TV.

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