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Roberto Lugo: Street Shrines

Institution
The Wolfsonian, Florida International University
Grant Cycle
Fall 2021
Amount
$40,000
Type of Grant
Exhibition Support
Website
wolfsonian.org/whats-on/exhibitions+installations/2022/11/street-shrines.html ↗
Roberto Lugo, Ice Cube Vase, 2022. Glazed stoneware Image courtesy of the artist
Golia (Eugenio Colmo), Autarchia [Autarky] plate, 1938. Turin Glazed earthenware The Wolfsonian–Florida International University, Miami Beach, Florida, The Mitchell Wolfson, Jr. Collection.
Roberto Lugo, Run DMC design drawing for Street Shrines mural, 2022. Image courtesy of the artist
Clarice Cliff, The Brangwyn Panels, No. 2 wall plaques, 1933. After Frank Brangwyn’s British Empire Panels (1925–1932) for the Royal Gallery, House of Lords, London A. J. Wilkinson Ltd., Burslem, Staffordshire, England, manufacturer Painted earthenware The Wolfsonian–Florida International University, Miami Beach, Florida, The Mitchell Wolfson, Jr. Collection.
Roberto Lugo, Gun Teapot: Rosa Parks, 2021. Glazed porcelain, steel, luster, epoxy, enamel. Image courtesy of the artist
Ljudmila Viktorovna Protopopova, Teapot, 1932. For the Lomonosov Porcelain Factory, Leningrad Blank made by the Imperial Porcelain Factory, St. Petersburg, 1897 Porcelain, gilt The Wolfsonian–Florida International University, Miami Beach, Florida, The Mitchell Wolfson, Jr. Collection.
Roberto Lugo, Cherub bookend, 2022. Glazed stoneware, luster. Image courtesy of the artist
Paul Schley, Wasser [Water] figurine, 1916. For the Königliche Porzellan-Manufaktur, Berlin Glazed porcelain The Wolfsonian–Florida International University, Miami Beach, Florida, The Mitchell Wolfson, Jr Collection.

For artist and activist Roberto Lugo, the past is always present. He mines the history of ceramics to create artwork with contemporary urgency, turning luxurious porcelain forms—often used to mark major events or memorialize monarchies and political leaders—into agents of change and disruption. At The Wolfsonian, Lugo looks to the museum’s significant collection of 19th- and 20th-century European and American ceramics, producing new work inspired by these objects but depicting the histories, experiences, and heroes of Black and Brown communities so often ignored by the historical record.

On the exterior of the museum, Lugo brings his characteristic style and approach to Miami’s own underexplored stories, designing a mural that commemorates the Bahamian, Haitian, and wider Caribbean communities that made and shaped South Florida while weaving in his own family history in Puerto Rico. Connecting the gallery installation to the street, and the Wolfsonian collection to the lives of present-day Miamians, Lugo invites visitors to consider the intersection of race, politics, and memory in the built world around them.

See Also

Foundation

The Andy Warhol Foundation for the Visual Arts Announces Fall 2021 Grantees and New Website

12 January 2022

1986

Warhol painted more than 100 works related to Leonardo da Vinci’s Last Supper, which some have read as complex reckoning of his homosexuality, Catholicism, and mortality in response to witnessing AIDS devastate the gay community.

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