Saya Woolfalk draws in part on her own intersectional identity as a person of African-American, European-American and Japanese descent to create immersive, multi-media installations that invoke cultural hybridity, technology and culture. She uses science fiction and masquerade to reimagine the world in multiple dimensions and employs a luminous approach to color and imagery that draws on storytelling and folkloric traditions from around the globe. Over the course of a residency at the Newark Museum of Art, Woolfalk will study and respond to different areas of the museum’s permanent collections, including works and installations in its Native American and American art galleries, as well as herbarium specimens from its natural science collection.
Saya Woolfalk
1976
Warhol acquires the first of several compact 35 mm cameras, and over the next 11 years shot approximately 130,000 black-and-white images, claiming that “having a few rolls of film to develop gives me a good reason to get up in the morning.”