Mare-a-ndo arises from an instance of language play that facilitates the animation of water movement through verbal conjugation, asserting the inherent trait of continuity and periodicity of both the natural phenomenon and the word itself. Mare-a-ndo investigates artistic collective practices and ancient agricultural engineering models that are constituted in symbiosis with the environment through processes, relations, adaptations, and metabolisms. This research hopes to map common practices employed by artists in Latin America that are connected to collective efforts in reshaping kinships and care with these territories. In this framework, Mare-a-ndo is a durational curatorial project and sound archive in the form of interviews, soundscapes and oral narratives with the intention to open avenues of communication to other communities in Latin America whose relationship with water needs renewed collective agreements.
Sofia Bastidas Vivar
2014
The Cantor Arts Center at Stanford University acquired the Andy Warhol Photography Archive from The Andy Warhol Foundation for the Visual Arts in 2014. The collection of 3,600 contact sheets and corresponding negatives represents the complete range of Warhol’s black-and-white photographic practice from 1976 until his unexpected death in 1987.