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Steina: Playback

Institution
List Visual Arts Center/ Massachusetts Institute of Technology
Grant Cycle
Fall 2023
Amount
$75,000
Type of Grant
Exhibition Support
Website
listart.mit.edu/exhibitions/steina ↗
Steina, Flux, 1977. 3/4" U-ma4c video transferred to digital, with sound; 9 min. Courtesy the artist and BERG Contemporary, Reykjavík.
Steina, Geomania, 1987 (still). Two-channel video matrix installa4on, with sound; 15 min. Courtesy the artist and BERG Contemporary, Reykjavík.
Steina, Mynd, 2000 (still). Six-channel video installa4on, with sound; 21:19 min. Courtesy the artist and BERG Contemporary, Reykjavík
Steina, Lava and Moss, 2000 (still). Three-channel video installa4on, with sound; 15:09 min. Courtesy the artist and BERG Contemporary, Reykjavík.
Steina, Violin Power, 1969–78 (still). Single-channel video, with sound; 10:04 min. Courtesy the artist and BERG Contemporary, Reykjavík.

The List Visual Arts Center will present the first solo exhibition in over a decade of Steina, the pathbreaking media artist whose work traverses video, music, and technology through a commitment to spontaneity and play.

Steina’s nearly five decades of video work ­queries the possibilities of sound-image exchange, machine vision, and electronic abstraction. She has persistently sought to generate images that exceed the human eye and decenter human subjectivity. Venturing in nature and combining imaging technologies with reflective orbs, she creates work that reorients viewers in relation to both natural and electronic space. Her videos and installations emerge from the endless process of playing with and manipulating signals rather than a results-oriented commitment to image or narrative.

This exhibition will trace Steina’s creative practice from early collaborative works with Woody Vasulka to her independent explorations of optics, machine vision, and a liberated, non-anthropocentric subjectivity. It follows her practice from downtown New York and Buffalo to the vast landscapes of New Mexico and Iceland, pictured in the immersive, multichannel video installations she created in the 1990s and 2000s. Containing more than a dozen single-channel works, as well as several multi-monitor matrices and large-scale multi-screen installation environments, this focused retrospective will survey the breadth of Steina’s work and vision from 1970 to the present. The show seeks to both bring renewed recognition to the artist’s innovative vision and argue for her influence and relevance today as a younger generation of artists consider modes of art-making that resist easy commodification and question the place of technology and the human in relation to larger ecological and planetary concerns.

See Also

Foundation

Over $4 Million in Grants Awarded to 50 Arts Organizations by The Andy Warhol Foundation for the Visual Arts

10 January 2024

Gilberto Esparza, Plantas autofotosinthéticas [Autophotosynthetic Plants], 2013–14 (detail). Polycarbonate, silicon, stainless steel, graphite, electronic circuits, local wastewater, natural pond water with microalgae and microorganisms, plants, shrimp, fish, sound, 157 × 157 in. Courtesy the artist. Photo: Axel Heise
Exhibition Support

Symbionts: Contemporary Artists and the Biosphere
List Visual Arts Center, MIT
Cambridge, MA

1994

On May 13, 1994 the Andy Warhol Museum opened its doors to the public. The museum holds the largest collection of Warhol’s artworks and archival materials, and is the most comprehensive single-artist museums in the world and the largest in North America.

The Andy Warhol Foundation for the Visual Arts
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