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Theater of Operations: The Gulf Wars 1991 – 2011

Institution
MoMA PS1
Grant Cycle
Fall 2018
Amount
$100,000
Type of Grant
Exhibition Support
Installation view of a series of pictures and pieces of paper with text on wall.
Hanaa Malallah, She/He Has No Picture, 2019. Installation view.Photo by Matthew Septimus.
Installation view of an oversized gold chainlink necklace with the letters CNN hanging from chain.
Thomas Hirschhorn, Necklace CNN, 2002. Installation view. Photo by Matthew Septimus.
View of two black walls with doorway in the center. Through the doorway is a projects images of a map with the words
Michel Auder, Gulf War TV War, 1991, edited 2017. Installation view. Photo by Matthew Septimus.
A series of small shipping boxes mounted to the wall. The boxes have been cut into forming grids of other small boxes.
Miguel Angel Ríos, Souvenir Series: Just in Time, 1991. Installation view. Photo by Matthew Septimus.
A grid of photographs of people in front of and touching a large piece of artillery. In front of the photographs is a table.
Allan Sekula, War Without Bodies, 1991/1996. Installation view. Photo by Matthew Septimus.
Five wooden sculptures of varying height.
Nuha al-Radi, Embargo Sculpture, 2000–2003. Installation view. Photo by Matthew Septimus
A room with three long tables with rows of open books.
Rachel Khedoori, Untitled (Iraq Book Project), 2008–2010. Installation view. Photo by Matthew Septimus.
A wall of two rows of compartments outfitted with domestic interiors.
Thomas Hirschhorn, Hotel Democracy, 2003. Installation view. Photo by Matthew Septimus.
A wall with a large abstract painting on the left and a grid of smaller abstract paintings on the right.
Ali Eyal, Autumn Solo Show, 2018–ongoing. Installation view. Photo by Matthew Septimus

American-led military engagement in Iraq over the last 30 years has had an indelible impact on contemporary culture and the work of artists around the world. This large-scale group exhibition examines the legacies of these conflicts beginning with the Gulf War in 1991, featuring over 300 works by more than 80 artists based in Iraq and its diasporas, as well as those responding to the war from the West. While brief, the 1991 Gulf War marked the start of a prolonged conflict with Iraq that led to more than a decade of sanctions and the 2003 Iraq War. These wars and their aftermaths have had devastating impacts on Iraq and its people, contributing to the destabilization of the broader Middle East. Conflict with Iraq has also become an enduring part of American life, influencing culture, politics, and identity. The artists in Theater of Operations were also impacted by significant cultural change during this period—including the advent of the 24-hour news cycle, the Internet, and new media and military technologies. The wide range of perspectives included in this exhibition attests to the rich artistic traditions of contemporary Iraq, with artists working under conditions of war, embargo, and occupation placed in conversation with those responding to these wars from afar.

“The Warhol Foundation aims to support the full range of artistic activity in America—from exhibitions at major museums to neighborhood projects by artist collectives. Arts writers, through the range and specialization of their individual interests, touch upon all of this activity—illuminating and interrogating it and bringing it into conversation with the public. Support for artists is not complete without support for the circulation and serious consideration of their ideas. The Arts Writers Grant program keeps artists at the center of cultural dialogue and debate—in our opinion, right where they belong.”

Joel Wachs, President

The Andy Warhol Foundation for the Visual Arts
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