The Andy Warhol Foundation for the Visual Arts

  • About
    • Mission
    • History
    • People
    • Contact
    • FAQ
  • News
    • All
    • Foundation
    • Grantees
  • Grants
    • Overview
    • Application Guidelines
      • Curatorial Research Fellowships
      • Exhibition Support
      • Multi-year Program Support
      • FAQ
    • Grantees
    • Regional Regranting
    • Special Initiatives
  • Warhol
    • Biography
    • Catalogues Raisonnés
      • Paintings, Sculptures, and Drawings
        • Owner Questionnaire
      • Prints
      • Films
    • Licensing
      • Licensing Inquiries
    • Sales
      • Andy Warhol: Social Network
    • Andy Warhol Museum
    • Stanford Photo Archive
    • Photographic Legacy Project

Wilhelmina Godfrey: I am what I am

Institution
Burchfield Penney Art Center
Grant Cycle
Spring 2023
Amount
$60,000
Type of Grant
Exhibition Support
Website
burchfieldpenney.org/wilhelmina-godfrey-i-am-what-i-am ↗
Wilhelmina Godfrey, City Playground, 1949-50. Wax emulsion and oil on board, 44 x 38 inches.
Unknown Langston Hughes Center for the Visual and Performing Arts Center Photographer, Untitled (Wilhelmina Godfrey and Student), ca. 1971. Digital scan of original photograph, 6 ½ x 8 inches; Image courtesy of Clarence Scott.
Wilhelmina Godfrey, Voodoo Doll, 1976. Wool, beads, polyester stuffed, pins, 21 x 7 inches.
Wilhelmina Godfrey, One Armed Bandits, 1951. Tempura on paper, 26 inches x 21 inches.
Wilhelmina Godfrey, Red Hot and Blue, 1971. Serigraph on paper (29 of 32), 24 x 21 inches.
WilhelminaGodfrey with her work Composition I.
Wilhelmina Godfrey, Night and Day, n.d.. Mixed media fiber, 21 x 16 ½ inches (framed).

Wilhelmina Godfrey was an artist of exceptional skill and vision, working in media that included painting, printmaking, and textiles. Over the course of her more than fifty-year career, her work continuously evolved. Her lifelong contributions as an artist, writer, and educator earned the admiration and respect of many, cementing her legacy within the local arts and African American communities.

Wilhelmina Godfrey: I am what I am is a retrospective look at the artist’s massive portfolio, particularly her extraordinary use of color and theme, as well as the evolution of her work from representative figuration to abstraction. Like many of her contemporaries, Godfrey’s development over her career pushed the bounds of form, color, harmony, and abstraction. This experimentation, paired with her incorporation of African motifs, her experiences, and her observations as a Black woman artist living on the East Side of Buffalo, add important nuance to the canon and the ways in which Black artists have fused their lived realities with their own artistic interests.

“The terrific range of project proposals we receive each year speaks to the mobile and porous disciplinary boundaries of contemporary art practice, and to the rich and inventive ways writers approach art today. They are alert to the urgent need to expand the conventions of art history and criticism with ideas from other discourses, such as black studies, transnational and diaspora studies, gender and women’s studies, and LGBT studies. The work of lesser known and overlooked artists and art communities continues to be mined, with writers articulating new ways to counter the striking imbalances of race, class and gender that continue to affect the arts and the culture industry.”

Pradeep Dalal, Program Director,  The Andy Warhol Foundation Arts Writers Grant

The Andy Warhol Foundation for the Visual Arts
  • Facebook
  • Instagram
  • Twitter
  • Newsletter

Andy Warhol and Andy Warhol’s signature is a registered trademark of The Andy Warhol Foundation.
All Andy Warhol artwork © The Andy Warhol Foundation.
Website design by Wkshps

Use High-Contrast Text