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Deana Lawson

Institution
Institute of Contemporary Art/Boston
Grant Cycle
Fall 2019
Amount
$100,000
Type of Grant
Exhibition Support
Website
www.icaboston.org/exhibitions/deana-lawson ↗

The ICA/Boston presents the first museum survey dedicated to the work of Deana Lawson (b. 1979 in Rochester, NY), a singular voice in photography today. For more than 15 years, she has been investigating and challenging the conventional representations of Black identities. Drawing on a wide spectrum of photographic languages, including the family album, studio portraiture, staged tableaux, documentary pictures, and appropriated images, Lawson’s posed photographs channel broader ideas about personal and social histories, sexuality, and spiritual beliefs.

Lawson’s large-format color photographs are highly staged and depict individuals, couples, and families in both domestic and public settings, picturing narratives of family, love, and desire. Engaging members of her own community as well as strangers she meets on the street, she meticulously poses her subjects in a variety of interiors to create what the artist describes as “a mirror of everyday life, but also a projection of what I want to happen. It’s about setting a different standard of values and saying that everyday Black lives, everyday experiences, are beautiful, and powerful, and intelligent.” Lawson’s works are made in collaboration with her subjects, who are often nude, embracing, and directly confronting the camera, destabilizing the notion of photography as a passively voyeuristic medium.

This survey exhibition is a joint project between the Institute of Contemporary Art/Boston and MoMA PS1 in New York, and will include a selection of photographs from 2004 to the present.  The exhibition will be accompanied by a fully illustrated scholarly catalog, featuring the voices and perspectives of a variety of scholars, historians, and writers.


Deana Lawson, “Nation,” 2018. Pigment print and collaged photograph. 55 1/2 × 67 1/4 inches (141 × 170.8 cm)
Deana Lawson, “Roxie and Raquel, New Orleans, Louisiana,” 2010. Pigment print. 35 × 43 inches (88.9 × 109.2 cm)
Deana Lawson, “Sons of Cush,” 2016. Pigment print. 43 × 54 1/4 inches (109.2 × 137.8 cm)
Deana Lawson, “Barbara and Mother,” 2017. Pigment print. 69 × 55 inches (175.3 × 139.7 cm). The Institute of Contemporary Art/Boston; General Acquisition Fund

See Also

Firelei Báez, Untitled (Temple of Time), 2020. Oil, acrylic, and inkjet on canvas. 94 1/2 × 132 3/8 × 1 5/8 inches. Courtesy the artist and Hauser & Wirth, New York. Photo by Phoebe d’Heurle. © Firelei Báez
Exhibition Support

Firelei Báez
Institute of Contemporary Art/Boston
Boston, MA

1986

Warhol painted more than 100 works related to Leonardo da Vinci’s Last Supper, which some have read as complex reckoning of his homosexuality, Catholicism, and mortality in response to witnessing AIDS devastate the gay community.

The Andy Warhol Foundation for the Visual Arts
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