The Andy Warhol Foundation for the Visual Arts

Los Angeles Contemporary Exhibitions


Location
Los Angeles, CA
Grant Cycle
Spring 2018
Amount
$100,000
Type of Grant
Multi-year Program Support
Website
welcometolace.org ↗

LACE is the longest-running non-profit contemporary art space in Los Angeles that both champions and challenges the art of our time by fostering artists who innovate, explore, and risk. LACE moves within and beyond four walls to provide opportunities for diverse publics to engage deeply with contemporary art.  In doing so, LACE furthers dialogue and participation between and among artists and those audiences.


LACE Summer Residency 2018- Young Joon Kwak and Mutant Salon: Cavernous, exhibition view, 2018. Photos by Chris Wormald
LACE Summer Residency 2018- Young Joon Kwak and Mutant Salon: Cavernous, exhibition view, 2018. Photos by Chris Wormald
Emory Douglas: Bold Visual Language, Curated by Essence Harden and Daniela Lieja Quintanar, exhibition view, 2018. Photo by Chris Wormald
Unraveling Collective Forms, curated by Daniela Lieja Quintanar, exhibition view, 2019. Photo by Chris Wormald.
اجنبی ملن Ajnabi Milan (Strangers’ Union), Organized by Arshia Fatima Haq, part of Unravelling Collective forms, 2019. Photo by Tina June Malek.
Patrisse Cullors, Knots, performance as part of Unraveling Collective Forms. Courtesy of the artist.
LACE Summer Residency 2019 - Sandra de la Loza: To Oblivion: The Speculator’s Eden, exhibition view, 2020. Photo by Chris Wormald.
Paroxysm of Sublime, presented in partnership with FLAX, curated by Anna Milone and Ana Iwataki, exhibition view, 2019. Photo by Chris Wormald.
LACE Emerging Curator’s Exhibition 2020: SOUND OFF: Silence + Resistance, Curated by Abigail Raphael Collins. Artwork pictured: Pauline Boudry & Renate Lorenz, Silent, single-channel video, installation view, 2016. Photo by Chris Wormald.

See Also

1964

Philip Johnson commissioned Warhol to make a large-scale work for the exterior for his pavilion for the New York World’s Fair, along with other artists. Warhol’s provocative response, a multiple portrait of ‘Most Wanted Men’ was installed a few days before the opening but was deemed too inflammatory and contrary to the upbeat image of the World’s Fair and the work was taken down.