Through the perspectives of four collaborating artists—Andrea Carlson (Grand Portage Ojibwe), Kelly Church (Match-E-Be-Nash-E-Wish Band of Pottawatomi), Nora Moore Lloyd (Lac Courte Oreilles Band of Lake Superior Chippewa), and Jason Wesaw (Pokagon Band of Potawatomi) —Woven Being will explore confluences that have shaped and continue to shape Indigenous creative practices in the region. The place now known as Chicago is a critical nexus for Indigenous art and art histories that impact the larger Great Lakes Region and beyond. The artists are partnering with the Block team to create constellations of their own artwork and historical and contemporary artworks by Indigenous artists to shape the exhibition’s content.
Woven Being: Art for Zhegagoynak/Chicagoland
See Also
![Darryl Cowherd, Stop White Police from Killing Us – St. Louis, MO, c. 1966-67. Gelatin Silver Print, 15 x 19 in. © Darryl Cowherd image courtesy of the artist and the Museum of Contemporary Photography](https://warholfoundation.org/wp-content/uploads/2021/08/01_Cowherd_Stop-White-Police-from-Killing-Us-760x570.jpg)
A Site of Struggle: American Art against Anti-Black Violence
Block Museum of Art / Northwestern University
Evanston, IL
Foundation
The Andy Warhol Foundation for the Visual Arts Announces Spring 2021 Grantees
29 June 2021
Foundation
The Warhol Foundation will award $413,500 in Fall 2018 Curatorial Research Fellowships
23 January 2019
1963
Warhol begins his foray into innovative, unprecedented filmmaking and starts making silent, moving portraits called Screen Tests.