The Andy Warhol Foundation for the Visual Arts

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Exhibition Support

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  • 1987–2017
Maggie Thompson, The Equivocator, 2021. Rope, wire stockings, thread, and
ribbon, 42 × 66 × 6 inches.
Collection of Hair & Nails. Photo by Emma Beatrez, Courtesy of the Rochester Art Center.
Exhibition Support

Sharing Honors and Burdens: Renwick Invitational 2023
Smithsonian American Art Museum
Washington, DC

Lee Mingwei, Guernica in Sand, 2006-present. Mixed media interactive installation: Sand, wooden island, lighting, 42.5 x 21 ft. Photo Courtesy of Taipei Fine Arts Museum
Exhibition Support

Lee Mingwei: Rituals of Care
Fine Arts Museums of San Francisco/ de Young Museum
San Francisco, CA

Gajin Fujita. Ride or Die. 2005. Collection of the Kemper Museum of Contemporary Art, Kansas City, Missouri, Bebe and Crosby Kemper Collection, Museum purchase, Enid and Crosby Kemper and William T. Kemper Acquisition Fund, 2005.39.01 © Gajin Fujita, courtesy of the artist and L.A. Louver Gallery. Photo: E. G. Schempf, 2021.
Exhibition Support

The Culture: Hip Hop and Contemporary Art in the 21st Century
Baltimore Museum of Art
Baltimore, MD

Shelley Niro, Rebel, 1987. Hand-tinted gelatin silver print. 8×10 inches. Courtesy of the Collection of the Artist.
Exhibition Support

Shelley Niro: 500 Year Itch
National Museum of the American Indian
New York, NY

Harry Smith, still from Film No. 12: Heaven and Earth Magic Feature, c. 1957–62. 16mm film transferred to digital video, black and white, sound; 1 hr. 6 min. Courtesy of Anthology Film Archives, New York
Exhibition Support

Fragments of a Faith Forgotten: The Art of Harry Smith
Whitney Museum of American Art
New York, NY

Exhibition Support

Virginia Jaramillo: Principle of Equivalence
Kemper Museum of Contemporary Art
Kansas City, MO

“Oh.Ah. ,” 2021, linen, steel, transparent vinyl, corrugated plastic, extruded polystyrene foam, acrylic polymer, acrylic and enamel paint, h61 x w45 x d4.5 in. Photo: Alan Wiener, Polite Photographic Services.
Exhibition Support

Listeners
Athenaeum/ University of Georgia Foundation
Athens, GA

Firelei Báez, Untitled (Temple of Time), 2020. Oil, acrylic, and inkjet on canvas. 94 1/2 × 132 3/8 × 1 5/8 inches. Courtesy the artist and Hauser & Wirth, New York. Photo by Phoebe d’Heurle. © Firelei Báez
Exhibition Support

Firelei Báez
Institute of Contemporary Art/Boston
Boston, MA

Xaviera Simmons, Align, 2022. Freestanding structure: wood, paint, and seven-channel video with sound Running time variable. Courtesy the artist and David Castillo Gallery. Photo: Hai Zhang.
Exhibition Support

Xaveria Simmons: Crisis Makes a Book Club
Queens Museum
Queens, NY

Installation image from Dara Birnbaum: Reaction, June 25 – November 27, 2022. Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY. Photo: Olympia Shannon, 2022.
Exhibition Support

Dara Birnbaum: Reaction
Center for Curatorial Studies, Hessel Museum of Art, Bard College
Annandale-on-Hudson

Gabriella Torres-Ferrer, Untitled (Valora tu mentira americana) (detail), 2018. Hurricane ravaged wooden electric post with statehood propaganda, 116 × 118 × 122 in. Private collection; courtesy the artist and Embajada, San Juan
Exhibition Support

no existe un mundo poshuracán: Puerto Rican Art in the Wake of Hurricane Maria
Whitney Museum of American Art
New York, NY

 Pacita Abad in her Manila studio, 1984. Courtesy Pacita Abad Art Estate
Exhibition Support

Pacita Abad
The Walker Art Center
Minneapolis, MN

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The Andy Warhol Foundation for the Visual Arts
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