Grants – Page 4 – The Andy Warhol Foundation for the Visual Arts

Angelo Madsen Minax, Live Nude Genitals, 2012. Neon and Plexiglas, 36 x 36 inches. Photo by Kristine Eudey, 2019, courtesy of Leslie-Lohman Museum, New York.

Exhibition Support

ON OUR BACKS: The Revolutionary Art of Queer Sex Work

Leslie-Lohman Museum of Art

New York, NY

Karyn Olivier, Wall, 2017–2018. Bricks, used clothing, steel. Courtesy of the artist.

Exhibition Support

Karyn Olivier: Everything That’s Alive Moves

Institute of Contemporary Art Philadelphia

Philadelphia, PA

Exhibition Support

Lenore Tawney: Mirror of the Universe

John Michael Kohler Arts Center

Sheboygan, WI

Trevor Paglen The Took the Faces from the Accused and the Dead (detail) 2019 Silver gelatin print, pins 3240 individual images: 225 × 360 in. (571.50 × 914.40 cm)  © Trevor Paglen, Courtesy of the Artist and Altman Siegel, San Francisco  Image provided courtesy of the Fine Arts Museum of San Francisco

Exhibition Support

Uncanny Valley: Being Human in the Age of AI

Fine Arts Museums of San Francisco 

San Francisco, CA

Fatimah Tuggar, Fai-Fain Gramophone, 2010
Record player, raffia disks with labels, music by Barmani Choge, entertainment center
53 x 32 1/2 x 24 in. (134.6 x 82.5 x 70 cm)
Artwork Credit: Courtesy of Fatimah Tuggar and BintaZarah Studios

Exhibition Support

Fatimah Tuggar: Home’s Horizons 

Davis Museum at Wellesley College 

Wellesley, MA

“Art and Race Matters: The Career of Robert Colescott” at the Contemporary Art Center Cincinnati.

Exhibition Support

Art and Race Matters: The Career of Robert Colescott

Contemporary Arts Center Cincinnati

Cincinnati, OH

Night of the Hunter, 1998
From the Thin Fins series
Ceramic, glaze, underglaze, china paint, and epoxy resin
4 × 5 ¼ × 2 in. (10.2 × 13.3 × 5.1 cm)
Collection of Richard E. Goldman

Exhibition Support

Ron Nagle: Handsome Drifter

Berkeley Art Museum/Pacific Film Archive

Berkeley, CA

ACT UP, Installation view of Let the Record Show…, The New Museum of Contemporary Art, 1987. Courtesy of Gran Fury

Multi-year Program Support

Visual AIDS

New York, NY

The Advantages of Being A Woman Artist, 1988

Multi-year Program Support

Utah Museum of Contemporary Art

Salt Lake City, UT

Multi-year Program Support

The Underground Museum

Los Angeles, CA

Midnight Moment: Allison Schulnik, MOTH
January 1, 2020 – January 31, 2020
every night from 11:57pm-midnight

Midnight Moment is the world’s largest, longest-running digital art exhibition, synchronized on electronic billboards throughout Times Square nightly from 11:57pm to midnight.

Allison Schulnik uses painting, ceramics, and, traditional animation to choreograph compositions that embody a spirit of the macabre and a tragicomic perspective on love, death, and farce. A hand-painted moth flutters in stop-motion, transforming from a fully-formed insect, to a nascent cocoon, to fantastical, sometimes ominous creatures. Schulnik began this work after a moth hit her studio window, painting frames for the film almost daily for 14 months as she was pregnant with and gave birth to her first child. The work reflects on the cycles of life and the bodily and emotional metamorphosis of motherhood. MOTH is presented in partnership with MASS MoCA.

Multi-year Program Support

Times Square Alliance

New York, NY

Cinema Under the Stars screening at Joyce Kilmer Park

Multi-year Program Support

New York African Film Festival

African Film Festival

New York, NY