The Andy Warhol Foundation for the Visual Arts

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Grantees

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  • 1987–2017
Mihee Nahm, Puddle (detail), 2019, oil on canvas
Multi-year Program Support

Center for Women and Their Work
Austin, TX

Re-publication and presentations of Fuera de Trabajo by Esteban Valdés
Multi-year Program Support

Beta Local
San Juan, Puerto Rico

Felipe Baeza, Avistamiento Fantasmagórico 1, 2018, Ink, watercolor, collage, cut paper, and egg tempera on panel, 10 x 8 inches. Collection of the artist. Image courtesy of the artist and Maureen Paley, London.
Multi-year Program Support

The Mistake Room
Los Angeles, CA

New Venture Fund
Multi-year Program Support

New Venture Fund – Media Democracy Fund
Washington, DC

Multi-year Program Support

Midway Contemporary Art
Midway Contemporary Art
Minneapolis, MN

Basel Abbas and Ruanne Abou-Rahme, And yet my mask is powerful (Fragments 1-3), 2016 
3D mask, photographs, drawings, notes, dried vegetation, house remains, garbage Courtesy of the artists
Exhibition Support

History is Not Here: Art and Arab America
Mizna
St Paul, MN

Exhibition Support

Phenomenal Nature Mrinalani Mukerjee
Metropolitan Museum of Art
New York, NY

Angelo Madsen Minax, Live Nude Genitals, 2012. Neon and Plexiglas, 36 x 36 inches. Photo by Kristine Eudey, 2019, courtesy of Leslie-Lohman Museum, New York.
Exhibition Support

ON OUR BACKS: The Revolutionary Art of Queer Sex Work
Leslie-Lohman Museum of Art
New York, NY

Karyn Olivier, Wall, 2017–2018. Bricks, used clothing, steel. Courtesy of the artist.
Exhibition Support

Karyn Olivier: Everything That’s Alive Moves
Institute of Contemporary Art Philadelphia
Philadelphia, PA

Exhibition Support

Lenore Tawney: Mirror of the Universe
John Michael Kohler Arts Center
Sheboygan, WI

Trevor Paglen
The Took the Faces from the Accused and the Dead (detail)
2019
Silver gelatin print, pins 3240 individual images: 225 × 360 in. (571.50 × 914.40 cm) 
© Trevor Paglen, Courtesy of the Artist and Altman Siegel, San Francisco 
Image provided courtesy of the Fine Arts Museum of San Francisco
Exhibition Support

Uncanny Valley: Being Human in the Age of AI
Fine Arts Museums of San Francisco

San Francisco, CA

Fatimah Tuggar, Fai-Fain Gramophone, 2010
Record player, raffia disks with labels, music by Barmani Choge, entertainment center
53 x 32 1/2 x 24 in. (134.6 x 82.5 x 70 cm)
Artwork Credit: Courtesy of Fatimah Tuggar and BintaZarah Studios
Exhibition Support

Fatimah Tuggar: Home’s Horizons

Davis Museum at Wellesley College

Wellesley, MA

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