The Andy Warhol Foundation for the Visual Arts

  • About
    • Mission
    • History
    • People
    • Contact
    • FAQ
  • News
    • All
    • Foundation
    • Grantees
  • Grants
    • Overview
    • Application Guidelines
      • Curatorial Research Fellowships
      • Exhibition Support
      • Multi-year Program Support
      • FAQ
    • Grantees
    • Regional Regranting
    • Special Initiatives
  • Warhol
    • Biography
    • Catalogues Raisonnés
      • Paintings, Sculptures, and Drawings
        • Owner Questionnaire
      • Prints
      • Films
    • Licensing
      • Licensing Inquiries
    • Sales
      • Andy Warhol: Social Network
    • Andy Warhol Museum
    • Stanford Photo Archive
    • Photographic Legacy Project

Exhibition Support

  • By Type
  • By Year
  • All
  • Curatorial Research Fellowships
  • Exhibition Support
  • Multi-year Program Support
  • All
  • 2025
  • 2024
  • 2023
  • 2022
  • 2021
  • 2020
  • 2019
  • 2018
  • 1987–2017
Jose Val del Omar, Óptica Biónica , 1974 – 1982. Installation view.
Exhibition Support

Cinema of Sensations: The Never-Ending Screen of Val del Omar
Museum of the Moving Image
Astoria, NY

Keisha Scarville, Untitled from the series Surrogate Skin, 2016. Archival inkjet print, 36 x 30 inches. Courtesy of the artist.
Exhibition Support

A Picture Gallery of the Soul
Katherine E. Nash Gallery, University of Minnesota
Minneapolis, MN

Henry Taylor, “Watch your back”, 2013. Acrylic on canvas, 87 1/2 x 77
1/2 x 2 in. Hammer Museum, Los Angeles,
purchase. Image and work ©Henry Taylor, courtesy the artist and Hauser
& Wirth. Photo by Sam Kahn.
Exhibition Support

Henry Taylor: B Side
Museum of Contemporary Art, Los Angeles
Los Angeles, CA

Courtesy The Metropolitan Museum of Art/ Photo by Anna-Marie Kellen. ©Charles Ray
Exhibition Support

Charles Ray: Figure Ground
The Metropolitan Museum of Art
New York, NY

Gilberto Esparza, Plantas autofotosinthéticas [Autophotosynthetic Plants], 2013–14 (detail). Polycarbonate, silicon, stainless steel, graphite, electronic circuits, local wastewater, natural pond water with microalgae and microorganisms, plants, shrimp, fish, sound, 157 × 157 in. Courtesy the artist. Photo: Axel Heise
Exhibition Support

Symbionts: Contemporary Artists and the Biosphere
List Visual Arts Center, MIT
Cambridge, MA

Dominique White and Alberta Whittle: Sargasso Sea, 2024. Installation view. Institute of Contemporary Art, University of Pennsylvania. Photo: Constance Mensh.
Exhibition Support

Dominique White and Alberta Whittle: Sargasso Sea
Institute of Contemporary Art, University of Pennsylvania
Philadelphia, PA

Nellie Mae Rowe, Untitled (Voting), 1970s. Color photograph, crayon, pencil, and colored pencil on cardboard, 20 x 30 1/8 inches. Promised gift of Lucinda W. Bunnen. © Estate of Nellie Mae Rowe/Artists Rights Society (ARS), New York. Photo by Mike Jensen.
Exhibition Support

Really Free! The Radical Art of Nellie Mae Rowe
High Museum of Art
Atlanta, GA

Joshua Dudley Greer, TNT Storage Igloo N6-B, Point Pleasant, West Virginia, 2012. Archival pigment print. Harvard Art Museums/Fogg Museum, Richard and Ronay Menschel Fund for the Acquisition of Photographs, 2019.345. © Joshua Dudley Greer; image courtesy of the artist.
Exhibition Support

Devour the Land: War and American Landscape Photography since 1970
Harvard Art Museums
Cambridge, MA

Diana Al-Hadid. The Time Being, 2022.
Steel, polymer gypsum, fiberglass, Plexiglas, copper leaf, and jasmine
Dimensions vary
Commissioned by FRONT International: Cleveland Triennial for Contemporary Art in partnership with the Syrian Cultural Garden Association Photo: ©FieldStudio
Artwork: ©Diana Al-Hadid
Exhibition Support

Oh, Gods of Dust and Rainbows
FRONT International
Cleveland, OH

Installation view, Gala Porras-Kim: The weight of a patina of time, 2023, Fowler Museum at UCLA; Photo: Elon Schoenholz
Exhibition Support

Gala Porras-Kim: The weight of a patina of time
Fowler Museum at UCLA
Los Angeles, CA

Judy Chicago, Immolation, from the series “Women and Smoke”, 1972. Fireworks performance; performed in California desert. Courtesy of the artist; Salon 94, New York; and Jessica Silverman, San Francisco. © Judy Chicago / Artists Rights Society (ARS), New York. Photograph courtesy of Through the Flower Archives Image provided courtesy of the Fine Arts Museums of San Francisco.
Exhibition Support

Judy Chicago: A Retrospective
Fine Arts Museums of San Francisco/de Young Museum
San Francisco, CA

 Rosalie Smith, My Mother’s Last Garden​ (installation view), 2019. Photo by Ryan Hodgson Rigsbee.
Exhibition Support

Contemporary Arts Center
New Orleans, LA

↳ View More
The Andy Warhol Foundation for the Visual Arts
  • Facebook
  • Instagram
  • Twitter
  • Newsletter

Andy Warhol and Andy Warhol’s signature is a registered trademark of The Andy Warhol Foundation.
All Andy Warhol artwork © The Andy Warhol Foundation.
Website design by Wkshps

Use High-Contrast Text