Exhibition Support – Page 10 – The Andy Warhol Foundation for the Visual Arts

David Hartt, The Garden (Passiflora foetida / Rome, Italy / May 17, 2022), 2022. Polyester, cotton, wool, and acrylic yarns, mounted to linen, wood stretcher, aluminum frame, 114 x 76 inches. © David Hartt, courtesy of the artist and Corbett vs. Dempsey, Chicago, commissioned by the Cincinnati Art Museum.

Exhibition Support

Natural World

Cincinnati Museum of Art

Cincinnati, OH

Kelly Akashi, Inheritance, 2021. Poston stone, cast lead crystal, heirloom (grandmother’s ring), 6 x 8 x 6 inches. Courtesy of the artist, François Ghebaly Gallery, and Tanya Bonakdar Gallery.

Exhibition Support

Kelly Akashi: Formations

San José Museum of Art

San José, CA

Thu Van Tran, Installation view of Colors of Grey, 2022, in the 58th Carnegie International. Courtesy of the artist and Carnegie Museum of Art. Photo by Sean Eaton.

Exhibition Support

Is it morning for you yet?, the 58th Carnegie International

Carnegie Museum of Art

Pittsburgh, PA

Suchitra Mattai, an ocean’s cradle, 2022. vintage saris, fabric, and ghungroo bells, 10 x 15 feet.

Exhibition Support

Forecast Form: Art in the Caribbean Diaspora, 1990s – Today

Museum of Contemporary Art Chicago

Chicago, IL

Meryl McMaster, From a Still Unquiet Place from the series As Immense as the Sky, 2019. Chromogenic print mounted on aluminum composite panel, 40 x 60 inches (101.6 x 152.4 cm). Courtesy of the artist and Stephen Bulger Gallery and Pierre-François Ouellette art contemporain. © Meryl McMaster.

Exhibition Support

Spirit in the Land

Nasher Museum of Art at Duke University

Durham, NC

Tropical Is Political: Caribbean Art Under the Visitor Economy Regime, installation view at the Americas Society. Photo by Arturo Sánchez.

Exhibition Support

Tropical Is Political: Caribbean Art Under the Visitor Economy Regime

Americas Society

New York, NY

Hajra Waheed
Hum, 2020
Multi-channel sound installation with custom speaker casings
36 minutes, 17 seconds. Installation view, Portikus, Frakfurt, Germany. Courtesy the artist. Photo: Diana Pfammatter.

Exhibition Support

Hajra Waheed

Contemporary Art Museum St. Louis

St. Louis, MO

The Transfluent Orchestra / Mobile Coaction Lab by Gene A. Felice II, Owen Smith, + Susan
Smith, {Re}HAPPENING 9, March 30, 2019. Photo by Michael Oppenheim.

Exhibition Support, Multi-year Program Support

Black Mountain College Museum + Arts Center

Ashville, NC

María Martínez-Caña, Absence Revealed, 2022. Installation view. Courtesy of The Bass. Photo by Zaire Aranguren

Exhibition Support

The Bass

Miami Beach, FL

Faisal Abdu’Allah, The Duppy Conqueror (triptych), 2017. Jacquard tapestries,
117 x 60 inches, each. Courtesy of the artist.

Exhibition Support

Faisal Abdu’Allah: Dark Matter

Madison Museum of Contemporary Art

Madison, WI

Peter Clarke, That Evening Sun Goes Down, 1960. Gouache on paper, 21 ½ x 17 in. Courtesy of American Federation of Arts.

Exhibition Support

African Modernism in America, 1947 – 1967

Fisk University Galleries

Nashville, TN

Sergio Baroni, Huge D’Acosta, and Vittorio Garatti, the Cuba Pavilion at the 1967 International and Universal Exposition (Expo 67), Montréal, Canada, 1967. Collection Archives de la Ville de Montréal, VM94. Photo: Armour Landry

Exhibition Support

A Modernist Regime: The Cuban Contemporary Lens

Cranbrook Art Museum

Bloomfield Hills, MI